Media Aesthetics Notes

————————————————- September 19th ————————————————- Film Form; Film & Critical Analysis – Chapter 11 * Step 1: Develop a thesis * What is interesting, disturbing or noteworthy? * Does that aspect illustrate a concept from lecture w clarity? Is it a good example of something we talked about in class? * Did it have a unique effect on you? * Step 2: Segment the film * What features stuck out the most (given that weeks class topic)? * How are those features related to the film as a whole?Pay attention to details and how they affect the film * Step 3: Identify the outstanding instances of technique * Understand the techniques/concepts * Note specific examples of techniques * Types of lighting, angle, shots, narrative, style, etc. ————à ¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€Ã¢â‚¬â€- September 26th ————————————————- Styles of Film * Two major directions – realistic and formalistic * Directions or â€Å"types† are defines by form, not content Three Styles of Film/Media: * Realistic (focused on content, portraying as real life) * Classicism (in-between) Formalism (manipulation, taking out of reality) Realism: * Reproduce reality with minimum distortion-objective mirror * Major concern is with content, rather than form * Subject matter is supreme * Documentary film * Imagine as we’re watching it as we would see it through our own eyes * Ex: Big Brother – raw, unscripted, stagnant cameras, not playing w manipulation * Would never see something like a birds eye view of crowds of people, because we would never see that in real life. If we were watching a conversation happening it would be from one angle Formalism: Deliberately stylized and distort images (special effects, explosions, zooming in/out, narrative structure: in real life happens in temporal order as it would happen to us, in these movies jumps around in time) * Wants no one to mistake manipulated image for real thing (not pretending that this is reality, want to show the manipulation) * Concerned with form rather than content * Referred to as expressionist (self-expression, trying to create connections between stories/events that if watched over & over it has deeper meaning) * Avant-garde cinema Classical: What most fictional films/shows are classified as (we would never live like this but its fun to watch, drama, comedy, group of characters that the similarities can relate to your life but also an element that the story is manipulated that wouldn’t be reality) * Films are strong in story, star (someone we identify), and production values (summ er block busters, high financial investment in production because high financial return) * Clearly defined plot, conflict, rising climax, and resolution/closure * Avoids extremes of realism and formalism (wouldn’t see camera work that seems natural, but wouldn’t have random objects on the screen) (realistic enough but also fantasy) ————————————————- Narrative as a Formal System – Chapter 3 I. Principles of Narrative Construction: * Plot & Story * Cause-Effect * Time * Space * Patterns of development II. Flow of Story Information: Narration * Range of Story Information * Depth of Story Information * Narrator Narrative Form Most common in fictional media, but can be nonfictional too (ex: Bachelor – what’s going to happen next week suspense) * Identify because stories are all around us * What is narrative? Narrative is a chain of events link ed by cause and effect and occurring in time (how is this constructed†¦chronological? Jumping from times? ) and space (location, extras in background, cars, etc) Components of Narrative Form * Plots and Stories * Story is the subject matter or raw material of a narrative * A set of all events * Plot orders the events and actions of the story according to temporal and spatial patterns * Plots can vary – jump around or chronological, can focus on one person at a time or a group – in the end still has same story line * Cause and Effect Characters create causes and effects by making certain things happen and reacting to events * Qualities of the character influence cause-effect relationships * Physical characteristics, traits, personality * Action/Reaction * Can be a natural disaster, etc * Time * Construct story time based on order the plot presents them * We don’t need mundane elements (shower, sleep) to make sense of a story * Temporal order is the order whi ch events occur (are they happening in chronological, or flashbacks, or jumping) * Temporal duration is the length and which events span (is there a moment they pay more time to? What is the significance of that scene) * Temporal frequency is how often events within a story are revisited * Space Events occur in clearly defined locations where the action takes place * Associate other elements based on locations * Tells us information that isn’t stated * Opening, closing, patterns of development * Classic paradigm most popular in media * Set of conventions are present in classical narrative structure * Characters are goal oriented * Three-act structure model * Set up, Confrontation, Resolution ————————————————- October 3rd ————————————————- Mise-en-Scene Mis e-en-Scene: the arrangement of all the visual elements of a theatrical production within a given playing area – the stage.Derived from a French theatrical term meaning â€Å"between the scenes† * The Frame * Composition & Design * Territorial Space * Proxemic Patterns The Frame * Each movie image is enclosed in a frame * Filmmaker doesn’t fit a frame to the subject, but the subject matter to the frame * Dimensions of a frame are known as the aspect ratio Frame: Top – suggest ideas of power, controls all visual elements (usually someone scary, or authoritative) Center – reserved for area of interest, realism (expectation that through real eyes we expect something to be there) Bottom – powerlessness Left/Right Edges – suggest insignificance, unnoticed Off the Frame – fearful, importanceComposition & Design * The visual balance in the composition of the film * Want to maintain equilibrium between elements because it is easy to fol low * Depending on the type of film, a bad composition may be effective * The human eye attempts to organize elements in composition Dominant Contrast * The area of an image that immediately attracts out attention because of contrast * Stand out in some kind of isolation Subsidiary Contrast * After we take in dominant we scan for counterbalancing devices – Lines & Diagonals – Exaggerate Movement – Light & Dark, Shadow – Colour – Framing Territorial Space 1. Full Front a. Facing the camera b. Most intimate c.Viewer feels involved 2. Quarter Turn d. Favorite position for filmmakers e. Less emotional, but high intimacy still 3. Profile Position f. Character is less aware of being observed 4. Three Quarter Turn g. Even more isolated than profile shot h. Unfriendly or anti-social 5. Back Shot i. Suggests alienation from world j. Mystery, audience wants to see more * Setting can have symbolic meaning * Sunny exterior, inside, public/private * Consider Co ntextual use – setting * Consider way one setting is used to create different effects Proxemic Patters * The relationship of objects within a given space * Many factors determine space * Light, climate, noise level Patterns are similar to the way people obey certain special rules in social situations * The more distance between the camera and with subject, the more emotionally neutral we remain * â€Å"Long shot for comedy, close up for tragedy† – Chaplin * Space is seen through 4 patterns * Intimate: extreme close * Personal: medium * Social: full range * Public: long and extreme long ————————————————- October 17th ————————————————- Editing Classical Cutting * French were the first to use cutting to continuity to create â€Å"arranged scene s† * Editing for emotion and drama, rather than for purely physical reasons * Presents a series of psychologically connected shots * Film: A Trip to the Moon by Georges Melies Concepts in Classical Cutting Content Curve – where a cut should be made; point at which audience has been able to assimilate shot’s information (audience wont be bored because scene is too long ex: Jaws – one frame too long risks boredom, one too shot risk audience being able to make sence) * Parallel Editing – switching of shots of one scene with another at a different location to convey idea of simultaneous time Continuity Editing * Also called â€Å"invisible editing,† a system devised to minimize the audiences awareness of shot transitions, especially cuts, in order to improve the flow of the story to avoid interrupting the viewers immersion in it * Continuity and Space: editors follow a standard shot patter to maintain spatial continuity * Establish shot, moves to a series of individual shots, back to establishing shot * Film: American Beauty Shot/Reverse Shot: shot of one character is followed by shot of another taken from the reverse angle – as they have a convo we always see the back shoulder of the other person talking across the table so we always know how close they are * 180 Degree Rule: once camera starts filming on one side of action, it must continue filming on same side for the rest of the scene * Eyeline Matches: using characters line of vision as motivation for a cut, matching another characters * Continuity and Time * Match on Action: Different views of the same action pieced together to look continuous (someone jumping building to building – we see them take off & land) * Jump Cut: abrupt shift in time and place of an action which s not announced by a transition CLIP: Breathless – driving in car only shows clips of driving while they're talking=cuts out blank space * Continuity Error: any unintentional dis crepancy from shot to shot (seeing a boom in the corner) * Change in location, posture, hair, costume, etc. Soviet Montage and Formalist Tradition * 1920’s Soviet filmmakers developed editing style around the theory that editing should exploit the differences between shots to create meaning * Film was seen as a political tool * Soviet montage, also called collision montage – rhythmic, intellectual (The Godfather baptism scene – baptism + murder + he knows the killings are happening so this becomes a 3rd meaning) Realism Photography, TV, and cinema produce realistic images automatically * Viewed classical cutting and montage to be distorting, corrupting * After WW2 neorealism emerged which deemphasized editing * Film: Stranger than Paradise – shows boy on phone, doesn’t give us other side of conversation we only know what he says – shots hardly move to accommodate characters we see what can fit into the frame – doesn’t cut out u seless times, shows everyone doing every action – goes black in between scenes) ————————————————- November 14th – Film Genre Understanding Genre * Genres are various types of films that audiences and filmmakers recognize by their familiar narrative, stylistic, and thematic conventions * Various conventions I. Narrative Elements – Most important criteria for defining a genre – Character types – Plot events Thematic recurrence – general meanings from plot that surface again and again II. Visual, sound, objects & setting * Lighting tends to be similar in films w same genre * Sound draws attention to possibilities that neither the characters nor the audience can see * Objects/setting serve as recurring symbolic images that carry meaning from film to film III. Predictability and Variation * Genres meet audience expectations * However, a film without surprises become cliche * Sub genres begin to form – smaller clusters of films within a genre * Many films incorporate characteristics of multiple genres, creating a hybrid * No genre can be defined in a single way *

Ethics, Discretion and Professionalism in Policing Essay

Abstract: This paper is going to cover the unlawful behavior that led to harmful discretionary acts that had taken place in several different police departments; from the big cities of Los Angeles and Chicago to the small department of East Moline. This will cover, in detail, how these officers went down the wrong path to self-destruct their own departments. â€Å"Police discretion refers to the authority granted to a police officer that allows him to decide how best to deal with a certain situation. This is aimed at increasing the flexibility of the justice system as punishment may not always be the appropriate mode of dealing with crimes. Discretion may empower a police officer to overlook a minor offense giving the offender a warning† (Alec Korsmo). Police discretion has been observed to be common in domestic violence, drugs and traffic offences. In matters to do with domestic violence, the police have been on the. They have treated domestic violence as a private matter bet ter left for counseling, cooling off periods. Discretion is used especially when both parties are seen as equally involved in the violence and are either arrested or asked to separate for a few days or sometimes longer to dissipate the anger. Now In traffic, cops can allow a driver who has failed to stop at a red light to walk away as it is normal to sometimes make mistakes. The cops can also use discretion for the drivers caught driving drunk or high on drugs. The police officer will call a cab for the driver or take the civilian home and have the car towed away. All of these things are in the police officers discretion whether to arrest the suspect of try and show them that they got away with it this time and next time the officer will not be as nice. Drugs have been involved in police discretion for a long time. One of the main reasons behind why officers go corrupt is because the amount of money and opportunities that they see in the drug market. It is the officers’ discretion at this point whether to use his badge for corrupt reasons. One famous example of police discretion and drugs would be one in the mid nineteen eighty’s. The officers’ name is Joseph Miedezowski, also known  also known as the most corrupt Chicago police officer of all time. This man was on the payroll of the Latin kings while serving as a trusted officer and protector of the people of Chicago. Miedezowski sold the names and addresses of every gang tact officer to the kings in the midst of his unlawful discretion. He would also use his knowledge of the streets to shake down drug dealers and then turn around and sell the drugs to make own personal gains. His fellow officers later would turn and in two thousand one, he was convicted of ten counts of drug conspiracy and racketeering that landed him a sentence of life in prison. Most of the larger cities have a bad reputation for bad police discretion with Chicago, New York, Los Angeles and New Orleans being among the worst of them by far. This bad discretion and set of morals have left some departments with bad names that they will quiet never get off their backs. An example of this is Louis Eppilito and Steven Caracappa we on the New York police department organized crime investigating unit. The shocking part was that the people they were being paid to investigate was the very ones they had decided to turn their back and work for. Now these two officers had become moles in the department so they could get access to stuff nobody else could outside of the department. The officers soon were into deep and would have to kill whoever the mafia told them too just so they wouldn’t be killed. In two thousand six, both men were tried and convicted of racketeering, obstruction of justice, extortion, eight counts of murder, and conspiracy to commit murder. These charges stemmed from the nineteen eighties to the rarely nineteen ninety’s and the two thousands in Las Vegas they were sentenced to life in a federal prison The Los Angeles Police department continued their bad reputation for bad discretion leading into corruption in the nineteen ninety’s. Rafael Antonio â€Å"Ray† Perez was involved in seven hundred and twenty thousand dollar bank robbery where he shot and framed Javier Ovando. Perez was also accused of stealing at least eight hundred thousand dollars’ worth of cocaine from police lockup. The former officer was also a member of bloods, a violent street gang. Perez would shoot rival unarmed gang members and frame them to make it look like there was a fight and he was just defending himself. After he was caught, seventy other police officers were tried for corruption being that they were under the orders of Perez. In February of two thousand, the former trusted police officer pleaded guilty to stealing eight pounds of cocaine, which got him sentenced to five years in prison. Pà ©rez said this before hearing his sentencing â€Å"I cheated on my wife. I cheated on my employer, and I cheated on all of you, the people of Los Angeles.† A little over a year went by and he was released from prison on parole only to land back in court in December of two thousand one, this time one federal charges. Ray was now being charged with violating Ovando’s civil rights and having possession of a fire arm with serial numbers that had been manipulated. He would go on to serve five more years in federal prison with no chance for parole this time, because in federal prisons, parole is not an option. In August of two thousand five, New Orleans saw one of America’s worst natural disasters ever to occur. Hurricane Katrina had just ripped through the big easy, looters were running wild through stores and streets, and hundreds of homes were being broken into and their valuables being stolen. Local police officers were told that they could shoot the looters on site. Captain Lane Deacon stated â€Å"When I told the officers that I was in command of at that time to shoot or fire at threatening looters I did not think they would act so aggressively.† Three officers Robert Gisevius, Sergeant Kenneth Bowen, and Anthony Villavaso, were stationed on Danzinger Bridge when a young, black man by the name of James Brissett tried to cross. This is when the officers did not use the right discretion and turned down the wrong path. Brissett was unarmed with nothing but his wallet and keys. A confrontation broke out in which the three police officers jumped on the young man and continue d to beat him near death, finally just shooting and killing him. It turns out that Brissett was just looking for shelter. The three officers were then charged with falsifying reports, false prosecution, conspiracy to cover up murder, second degree murder. All three once creditable officers two of them being ranking now face the death penalty. These bad discretionary acts do not just occur in large cities. They happen right in our own small communities and towns. One example of this was recently when an East Moline police officer, Joey DeCap, was caught stealing  thirty thousand dollars from his mother in-law who suffers from various mental illnesses. DeCap and his wife were put in charge of the finances when she was declared incapable of doing so herself. They set up an account at bank of America branch in davenport, Iowa around January two thousand ten. DeCap made it possible for his mother-in-laws bills to be paid from that account while he was drawing out large sums of cash without permission from her or his wife. Along with this deliberate act of injustice, he made money off other peoples cars. DeCap was close friends with the towing company that was on contract with the city of East Moline. They would tow cars to their impound lot after accidents, DUIs, and other various dealings, and wait for the owners to come pick the car. If the car sat for too long they would illegally sell it to DeCap for cheap and he would then take it to be scrapped or sold. All of these crimes led him to be charges with five felony counts of official misconduct and one felony count of financial exploitation of the elderly or disabled. These five examples of how discretion can lead to unlawful acts and corruption have left their various departments with bad reputations. The various cities that they come from are known as having some of the most corrupt officers of all time. It does not matter the well discretionary acts by the policemen there now. Instead they will carry the names of those that have committed those acts in the past. These few rotten seeds have caused the larger cities to be labeled as having the worst policing, the departments are so big and vary in diversity that it would go unnoticed for the most part if there was such unlawful discretionary acts. The larger cities are slowly building their reputation back and b ecoming more community oriented. Although now we are seeing corruption in our small towns and it can’t go unseen. As bigger cities are making a turn for the better, small towns, like around here are making a turn for the worst. So, what causes bad discretionary acts? What makes these figures that are held so high in society turn against their peers, their city, and the people in it that they are supposed to protect? It really can be broken down into four categories based on a study done by T. Newburn. The first and obvious one being police discretion. If the officer has discretion and it is used wisely then the job should not be a problem and they will not take advantage of their position. Another one is the amount of low supervision. Nobody is there to catch all your mistakes and  you feel like you can get away with a lot more for a longer period of time. The next one is cops that are in constant contact with criminals. This gives an easy opportunity for unlawful acts. The last one is the environment surrounding the police officer. We see most of these bad discretionary acts that can lead to corruption happen where there is high population in drug activity and gang activity, where there is a lot of money flowing that can easily be uncounted for. Police also have a strong bond with their fellow officers so they feel secrecy is a part of the police culture, which means most of what happens that is illegal by other officers is sworn to secrecy. Statistically, bad discretionary acts by officers have gone down recently from the early two thousands when it was at an all-time high. Sixty-two percent of police officers are involved in some sort of police corruption. That means about three out of every five cops are, in some way, being unlawful. Record numbers of officers are being investigated, almost two hundred and forty five a month. With all of these crazy numbers you would think more of it would be in the public eye. But it’s the complete opposite most of the bad discretionary acts go unannounced to media so it doesn’t look like the cops are the bad guys. Having good police discretion is a must, because we need loyal law enforcement that can support the community through the good and bad. We can make sure these officers are properly trained in discretion by taking a look at their past and providing classes for the new incoming cadets. I believe the only way you can control corruption in a law enforcement society is teaching them these discretionary ways and the correct morals. Although you cannot change their morals, because they bring in their own set I believe you can show them what’s right and they can do it themselves. Police Ethics Police Discretion G Abstract: This paper is going to cover the unlawful behavior that led to harmful discretionary acts that had taken place in several different police departments; from the big cities of Los Angeles and Chicago to the small  department of East Moline. This will cover, in detail, how these officers went down the wrong path to self-destruct their own departments. â€Å"Police discretion refers to the authority granted to a police officer that allows him to decide how best to deal with a certain situation. This is aimed at increasing the flexibility of the justice system as punishment may not always be the appropriate mode of dealing with crimes. Discretion may empower a police officer to overlook a minor offense giving the offender a warning† (Alec Korsmo). Police discretion has been observed to be common in domestic violence, drugs and traffic offences. In matters to do with domestic violence, the police have been on the. They have treated domestic violence as a private matter better left for counseling, cooling off periods. Discretion is used especially when both parties are seen as equally involved in the violence and are either arrested or asked to separate for a few days or sometimes longer to dissipate the anger. Now In traffic, cops can allow a driver who has failed to stop at a red light to walk away as it is normal to sometimes make mistakes. The cops can also use discretion for the drivers caught driving drunk or high on drugs. The police officer will call a cab for the driver or take the civilian home and have the car towed away. All of these things are in the police officers discretion whether to arrest the suspect of try and show them that they got away with it this time and next time the officer will not be as nice. Drugs have been involved in police discretion for a long time. One of the main reasons behind why officers go corrupt is because the amount of money and opportunities that they see in the drug market. It is the officers’ discretion at this point whether to use his badge for corrupt reasons. One famous example of police discretion and drugs would be one in the mid nineteen eighty’s. The officers’ name is Joseph Miedezowski, also known also known as the most corrupt Chicago police officer of all time. This man was on the payroll of the Latin kings while serving as a trusted officer and protector of the people of Chicago. Miedezowski sold the names and addresses of every gang tact officer to the kings in the midst of his unlawful discretion. He would also use his knowledge of the streets to shake down drug dealers and then turn around and sell the drugs to make own personal gains. His fellow officers later would turn and in two thousand one, he was convicted of ten counts of drug conspiracy and racketeering that landed him  a sentence of life in prison. Most of the larger cities have a bad reputation for bad police discretion with Chicago, New York, Los Angeles and New Orleans being among the worst of them by far. This bad discretion and set of morals have left some departments with bad names that they will quiet never get off their backs. An example of this is Louis Eppilito and Steven Caracappa we on the New York police department organized crime investigating unit. The shocking part was that the people they were being paid to investigate was the very ones they had decided to turn their back and work for. Now these two officers had become moles in the department so they could get access to stuff nobody else could outside of the department. The officers soon were into deep and would have to kill whoever the mafia told them too just so they wouldn’t be killed. In two thousand six, both men were tried and convicted of racketeering, obstruction of justice, extortion, eight counts of murder, and conspiracy to commit murder. These charges stemmed from the nineteen eighties to the rarely nineteen ninety’s and the two thousands in Las Vegas they were sentenced to life in a federal prison The Los Angeles Police department continued their bad reputation for bad discretion leading into corruption in the nineteen ninety’s. Rafael Antonio â€Å"Ray† Perez was involved in seven hundred and twenty thousand dollar bank robbery where he shot and framed Javier Ovando. Perez was also accused of stealing at least eight hundred thousand dollars’ worth of cocaine from police lockup. The former officer was also a member of bloods, a violent street gang. Perez would shoot rival unarmed gang members and frame them to make it look like there was a fight and he was just defending himself. After he was caught, seventy other police officers were tried for corruption being that they were under the orders of Perez. In February of two thousand, the former trusted police officer pleaded guilty to stealing eight pounds of cocaine, which got him sentenced to five years in prison. Pà ©rez said this before hearing his sentencing â€Å"I cheated on my wife. I cheated on my employer, and I cheated on all of you, the people of Los Angeles.† A little over a year went by and he was released from prison on parole only to land back in court in December of two thousand one, this time one federal  charges. Ray was now being charged with violating Ovando’s civil rights and having possession of a fire arm with serial numbers that had been manipulated. He would go on to serve five more years in federal prison with no chance for parole this time, because in federal prisons, parole is not an option. In August of two thousand five, New Orleans saw one of America’s worst natural disasters ever to occur. Hurricane Katrina had just ripped through the big easy, looters were running wild through stores and streets, and hundreds of homes were being broken into and their valuables being stolen. Local police officers were told that they could shoot the looters on site. Captain Lane Deacon stated â€Å"When I told the officers that I was in command of at that time to shoot or fire at threatening looters I did not think they would act so aggressively.† Three officers Robert Gisevius, Sergeant Kenneth Bowen, and Anthony Villavaso, were stationed on Danzinger Bridge when a young, black man by the name of James Brissett tried to cross. This is when the officers did not use the right discretion and turned down the wrong path. Brissett was unarmed with nothing but his wallet and keys. A confrontation broke out in which the three police officers jumped on the young man and continue d to beat him near death, finally just shooting and killing him. It turns out that Brissett was just looking for shelter. The three officers were then charged with falsifying reports, false prosecution, conspiracy to cover up murder, second degree murder. All three once creditable officers two of them being ranking now face the death penalty. These bad discretionary acts do not just occur in large cities. They happen right in our own small communities and towns. One example of this was recently when an East Moline police officer, Joey DeCap, was caught stealing thirty thousand dollars from his mother in-law who suffers from various mental illnesses. DeCap and his wife were put in charge of the finances when she was declared incapable of doing so herself. They set up an account at bank of America branch in davenport, Iowa around January two thousand ten. DeCap made it possible for his mother-in-laws bills to be paid from that account while he was drawing out large sums of cash without permission from her or his wife. Along with this deliberate act of injustice, he made money off other peoples cars. DeCap was close friends with the towing  company that was on contract with the city of East Moline. They would tow cars to their impound lot after accidents, DUIs, and other various dealings, and wait for the owners to come pick the car. If the car sat for too long they would illegally sell it to DeCap for cheap and he would then take it to be scrapped or sold. All of these crimes led him to be charges with five felony counts of official misconduct and one felony count of financial exploitation of the elderly or disabled. These five examples of how discretion can lead to unlawful acts and corruption have left their various departments with bad reputations. The various cities that they come from are known as having some of the most corrupt officers of all time. It does not matter the well discretionary acts by the policemen there now. Instead they will carry the names of those that have committed those acts in the past. These few rotten seeds have caused the larger cities to be labeled as having the worst policing, the departments are so big and vary in diversity that it would go unnoticed for the most part if there was such unlawful discretionary acts. The larger cities are slowly building their reputation back and becoming more community oriented. Although now we are seeing corruption in our small towns and it can’t go unseen. As bigger cities are making a turn for the better, small towns, like around here are making a turn for the worst. So, what causes bad discretionary acts? What makes these figures that are held so high in society turn against their peers, their city, and the people in it that they are supposed to protect? It really can be broken down into four categories based on a study done by T. Newburn. The first and obvious one being police discretion. If the officer has discretion and it is used wisely then the job should not be a problem and they will not take advantage of their position. Another one is the amount of low supervision. Nobody is there to catch all your mistakes and you feel like you can get away with a lot more for a longer period of time. The next one is cops that are in constant contact with criminals. This gives an easy opportunity for unlawful acts. The last one is the environment surrounding the police officer. We see most of these bad discretionary acts that can lead to corruption happen where there is high population in drug activity and gang activity, where there is a lot of money flowing that can easily be uncounted for. Police also have a strong bond with their fellow officers so they feel secrecy is a part of the police  culture, which means most of what happens that is illegal by other officers is sworn to secrecy. Statistically, bad discretionary act s by officers have gone down recently from the early two thousands when it was at an all-time high. Sixty-two percent of police officers are involved in some sort of police corruption. That means about three out of every five cops are, in some way, being unlawful. Record numbers of officers are being investigated, almost two hundred and forty five a month. With all of these crazy numbers you would think more of it would be in the public eye. But it’s the complete opposite most of the bad discretionary acts go unannounced to media so it doesn’t look like the cops are the bad guys. Having good police discretion is a must, because we need loyal law enforcement that can support the community through the good and bad. We can make sure these officers are properly trained in discretion by taking a look at their past and providing classes for the new incoming cadets. I believe the only way you can control corruption in a law enforcement society is teaching them these discretionary ways and the correct morals. Although you cannot change their morals, because they bring in their own set I believe you can show them what’s right and they can do it themselves.

Critical aspects of closing probate deals

Chapter 11Making the Offer. Once you have contacted the executor, you must hold an action program of what needs to be done and how. This is one of the critical facets of shutting probate trades. You have to do an offer that will give you a fine-looking return and ideally this must be the lowest possible offer. Some executors are unfastened to a low monetary value from the beginning. Some executors are unrealistic and tend to believe that the belongings is deserving much more than the FMV and when you encounter such a state of affairs, you need to make a just outlook puting with the householder. Give him grounds, show him the logic and explicate to him why his belongings value is lesser than what he expects.Stairss TO FOLLOW WHILE NEGOTIATINGHere are a few stairss that will assist you negociate a trade with the executor rapidly and swimmingly. As you would make for any meeting, you need to fix for your meeting with the executor excessively. Compile and reexamine your research and other notes. Carry these along for easy mention during your meeting with the executor. Ensure that you are cognizant of the FMV of the belongings you are traveling to negociate for. It besides helps to hold the comparables ready to hand merely in instance you need to demo it to the executor to warrant your monetary value. Have a pen and paper to take notes on your review of the belongings. Transport a torch which comes in ready to hand while inspecting topographic points where the sunshine does non make. Some probate houses might hold the electricity supply switched off. You should do a torch and a clean contract lasting fixtures within your auto. Bing prepared will give your run intoing a professional touch and the executor will recognize that you are here with a serious purpose of purchasing the belongings, non to blow his clip.STEP TWOOnce you are at the belongings, inform the executor that you would wish to transport out a thorough review of the belongings. Inquire with him if he would be interested in following you on the review circuit. It is a good thought to hold the executor by your side when you start with your review. About all executors are incognizant of the different fix occupations that will necessitate to be done. This is an advantage for you because as you progress with your review, you will be pulling his attending to the many fix occupations the house needs therefore take downing his outlooks with every defect you point out. Merely for mention, inquire the executor his estimation of the cost for acquiring these betterments done. Most executors are incognizant of the fix costs although they may hold limited cognition of woodworking and other minor hole up occupations. You ‘ll be cheerily surprised as many householders will state you an estimation that is higher than yours. If you are accosted with a belongings in hapless status and are unable to gauge the fix costs involved, you can ever mention it to a contractor or a place inspector before you purchase it. If the estimation provided by them is higher than yours, you have the option of endorsing out of the contract without any legal complications. I will discourse this in greater inside informations in the undermentioned chapter. Never forget, the executor wants to dispose this belongings at the earliest to cast a burden off his shoulder. He would be more than happy to offer you a stone underside monetary value if you point out that the house needs a batch of fixs. Refrain from throwing an offer at the executor boulder clay you have completed your Refrain from throwing an offer at the executor boulder clay you have completed your review. Most executors will non near this topic boulder clay you are prepared to inform them. If an executor tries to brawl an offer, inform him that before you extend an offer, you would necessitate to inspect the belongings to convey it to marketable status. It is a good thought to hold the executor by your side when you start with your review. Do n't trust on your memory. It is a good thought to observing things down on a piece of paper. Take plentifulness of cryptic notes. Make the semblance for the householder that a batch of things are non right by doing voluminous notes. In a probate belongings, since the householders have non maintained the belongings good, there will be enough of things you will happen when inspecting the belongings. You can take to do notes on the fix occupations needed in each room. Inspect the full house, and every clip you see an expensive occupation that needs to be done reference that tactfully to the executor. By making this, you are allowing the executor know that you will hold to pass a good sum of money in priming the house and this will accordingly take down the executors outlook of a high monetary value. Note down of import points of all such countries as you proceed with your review. Ninety per centum of probate houses need decorative and kitchen fixs. Normally I ever make it a point to state the executor that in add-on to all the fix occupations, at the really minimal, the kitchen and bathrooms will hold to remake, the house needs a pigment occupation and the rug has to be changed before the belongings can be listed for a sale. These things, although the executor thinks are really expensive, can be completed for a minor cost. After you ‘ve listed down and told the executor about the basic betterments that are needed, you will hold to gauge, a moderately high figure, of the cost for acquiring these occupations completed. It is a good thought to round off estimations to the highest five 1000 dollar grade. For illustration, if I estimate a belongings needs fix occupations deserving twelve thousand dollars, I will round it up to fifteen thousand dollars. Merely for mention, inquire the executor his estimation of the cost for acquiring these betterments done. You ‘ll be cheerily surprised as many executors will state you an estimation that is higher than yours. If this be the instance, you should instantly hold to the executors generous estimation. On the other manus, many executors will state you they have no thought and will bank on you to give them an estimation. Once you ‘ve told them your hyperbolic sum, they will hold however because your attack has portrayed you as an experient investor. With this done, you ‘ve got the executor into believing about all the betterments needed to acquire the belongings into premier status. All these old ages, he might non hold noticed these uneven terminals and now will be believing about the money needed to hold the fix work completed. This will automatically take down his outlooks of the value of the belongings and he would be willing to settle for your offer. You are now ready to near the following measure.STEP THREEMost executors I know do n't truly do a full graduated table effort in researching the just market value of the probate house. They might merely name the existent estate agent one time or mention to the revenue enhancement assessed value of the house. You ‘ll be surprised to observe how frequently you come across such state of affairss. This nevertheless, is a distinguishable advantage for you. Get an estimation of the just market value of the belongings from the executor. If the sum is lower than the just market value, accept it. On the other manus, if his estimation is higher than the just market value, you must put the right outlooks. Inform him that the belongings could hold been tantamount to its just market value were it in premier status. Show him the research you have carried out with your existent estate agent and the comparables that point to the fact that the just market value is so lower than what his estimation is. Be polite and at the same clip drive your point across. To turn out your point, you could demo him the comparables that were sold late. Showing comparables is frequently a trade determiner and most executors will accept your offer based on the comparables. Refrain from doing extra remarks on the value of the belongings unless the executor approaches the topic. Let him recognize that his belongings ‘s value is lower than his outlooks.STEP FOURNow is the clip to state the executor that you are an investor. As an investor, your purpose is to purchase the belongings, titivate it up and so sell it every bit rapidly as possible. As you have told him that you are an investor, the executor knows that you will be selling the belongings for a net income. By making this you are subtly inquiring him to see giving you a antic price reduction on the belongings. After this, you are ready to continue to the following measure.STEP FIVEEqually far as possible, chorus from doing the offer foremost unless perfectly necessary. If you can pull out an offer from the executor, it may good be possible that he will offer you a monetary value that is lower than yours. Inquire how much money he needs for the belongings. Never ask him what he wants – wants and demands are different. Keep back for his response. Till now, he knows that the just market value is much lesser than his estimation plus the fact that a just sum of fix work has to be done to acquire the belongings to marketable status. Above all this, he is besides cognizant that you need to do a net income from this trade. His reply might merely surprise you, and cheerily so! If the executor is unable to judge the just monetary value, this is the right clip to put your offer. Make non travel rapidly into doing an offer. Take your clip, contemplate the cost constituents we learnt in chapter 10, calculate the possible net income and so widen your offer. If you are unable to make that instantly, inform the executor that you will necessitate twenty four hours to reexamine your notes and the fix costs before you can do an offer. When you have arrived at a figure, give it directly to the executor. Inform him that after a thorough reappraisal of the Numberss, you will be paying ten dollars for the probate belongings. Once your offer is out, give the executor some clip to contemplate upon your offer. It is non unusual for several yearss to go through by before you receive a response from the executor. All you can make till the clip you hear from the executor is be patient and delay.WHAT IF THE EXECUTOR PROPOSES A COUNTER OfferMost of the times you will happen the executor has accepted your offer and is willing to subscribe a contract with you. In the following chapter I will learn you to outline existent estate contracts that safeguard your involvements. However, how do you undertake a state of affairs where an executor proposes a counter offer. It is non unusual for a counter offer to be proposed and you must be prepared for such an contingency. In this state of affairs, inquire from the executor as to what monetary value is he comfy with. If his demand seems sensible, you may wish to raise your offer incrementally. Remember ne'er to transcend 65 % of the just market value of the belongings. If the belongings requires major fixs in add-on to merely picture and rug, you should subtract these costs from the value arrived at by ciphering 65 % of the just market value pf the belongings.WHAT HAPPENS IF YOU ARE N'T ABLE TO NEGOTIATE A CHEAP PRICEIf you ‘ve reached this phase, there is a just opportunity that you will set down yourself a antic trade. For whatever grounds, the executor and you have non been able to hold upon the lowest reciprocally acceptable monetary value, thank the executor and travel on to the following moneymaking chance. Should this occur, inform him to reach you if he is non able to sell the belongings in the hereafter. This gives him an unfastened door for him to make you and it works as most executors tend to name back after they have thought about your offer. Many times you will come within striking distance of shuting a trade but when you ca n't look to acquire a low monetary value, be prepared to drop the trade. Never pay more than what a belongings is deserving. There are plentifulness of good trades to bag. Knowing when an how to walk off is a important portion of puting and this gives you the ability to cover from a place of strength. Acerate leaf to state, this should be done as smoothly and tactfully as possible. Remember, when you let travel of one trade, there is ever another great trade you can happen.

MGT499 MOD 4 SLP Essay Example | Topics and Well Written Essays - 500 words

MGT499 MOD 4 SLP - Essay Example This strategic plan include the induction of most innovative products backed by solid research of its research facilities, maintaining diversity of portfolio, cost effective and low cost medicine and achieving efficiency and effectiveness through its human and material resources. (Novartis, 2011). The Cost Leadership component of Porter’s competitive strategies is the most important but difficult objective to be achieved especially, in pharmaceutical industry where quality compromise is not an option at all. The only way out to achieve competitively lower prices of products is through savings on procurements, cost effective production and advantageous use of supply chain. To ensure cost leadership the company has improved its internal processes to save production cost in order to provide relief to the consumer. ICIS, trusted market intelligence for the global chemical and energy industries states the cost effective procedures of the Novartis in these words, â€Å"Operational efficiency initiatives have made progress to improve speed, flexibility and productivity while freeing up resources. On this basis, it has launched a companywide project â€Å"Forward† to provide annual cost savings of approximately $1.6bn in 2009 and 2010.† (ICIS, n.d.). The differentiation is mainly achieved through wide range research and diversified portfolio. Research and diversification complements each other to ensure differentiation. The company wide research facilities have contributed a long way into achieves uniqueness in its products. Afinitor, a potential breakthrough for advanced kidney cancer, the vaccine Menveo for protection against four meningococcal meningitis serogroups and Extavia (interferon beta-1b) for patients with certain forms of multiple sclerosis (MS) are few examples of thoroughly researched innovative products of Novartis to ensure a level of differentiation with its competitors. (ICIS, n.d.). The diversification of portfolio is an way

Innovative Design Protection Act (IDPA) of 2012 Essay

Innovative Design Protection Act (IDPA) of 2012 - Essay Example The paper "Innovative Design Protection Act (IDPA) of 2012" will provide a succinct description of the primary features of the 2012 IDPA, discussing how the act is going to revolutionize the legal defense of designs in the US. The new version makes provisions that require detailed written notices to be issued to suspected infringers and a 21-day suspension on the start of an action following that notice without the accrual of damages during these three weeks. The act has many far-reaching effects on the design industry within the US. At its core, the act is primarily focused on not only protecting designers, but also protecting their creativity, as well as job security. It proffers copyright protection to all fashion designs in the US. The act revises the meaning of the term useful article in order to include, among others, articles of apparel such as tote bags, eyeglass frames, handbags, clothing, wallets, purses and belts. However, the act excludes, from legal protection, all desig ns that are embodied in useful articles whose designers or owners make public. This legal protection is deterred if such publication occurs more than two years prior to the date of the request for registration, specifically in vessel hull designs. Additionally, the legal protection is excluded for useful articles whose publication takes place more than three years prior to the date when protection of the design is provided, specifically in the event of fashion designs. The act also deters the consideration of the absence.... The act ideally sets out the full term of protection at three years for fashion designs and at least a decade for designs of vessel hulls (Richman, Denton & Behr 2012, p. 117). The provisions of the law require the owners of all fashion designs to offer written notifications of the design protection to all persons the design owners have sufficient reasons to believe have violated or will probably violate these protections. The act additionally makes illegal all actions aimed at the infringement of fashion designs from the start until three weeks after such written notice is served to the defendant (The Library of Congress n.d., p. 1). The act is quite significant to the design industry since it provides pertinent modifications to the infringement criteria applicable to sellers, retailers, distributors and importers of infringing articles who were not necessarily involved in making the articles. Another critical importance lies in the act’s revision of provisions dealing with a cting without knowledge, affirming that it does not constitute an infringement to create, sell, import of distribute articles embodying designs that were created without knowledge, either reasonably inferred from all circumstances or actual occurrences, that the designs were protected and were copied from protected designs (Jimenez & Kolsun 2009, p. 154). Moreover, the act declares that it does not constitute an infringement under specified federally guaranteed protections of original designs, to engage in the provisions of services such as telecommunications services, location tools for Internet information and Internet access services, as well as

The Proprietary versus the Entity Theory Essay Example | Topics and Well Written Essays - 2000 words

The Proprietary versus the Entity Theory - Essay Example The proprietary theory suggests that business or other organizations tend to belong to one or more persons thought of as proprietors or owners, and their views are reflected in the accounting process used by the business. So assets of the business are considered as assets of the proprietors and their liabilities are considered as their liabilities. The balance sheet equation would thus be "Assets—Liabilities = Proprietorship.'' (Riahi-B, 2004) The stockholders are seen as individuals joined in owning a business and a corporation is thus not seen as fundamentally different from a sole proprietorship. The corporation is seen as a "device of a representative nature by means of which the association's business affairs may be conveniently administered with certain legal privileges and within certain legal limitations."' (Riahi-B, 2004) Using a proprietary theory, in accounting practice, the emphasis is on the proprietor's equity and the proprietors' net income and changes in income or other aspects of the proprietorship. The retained earnings also belong to the proprietors. However stockholders are distinct from creditors and the distinction is based on proprietorship as creditors may not be proprietors but stockholders are usually proprietors so proprietors in a business organisation include all stockholders. Usually most accountants consider shareholders as owners and proprietorship is more easily determined in a small business enterprise although proprietorships could range from individual proprietorships for each, a partnership, or corporation. Some features that proprietors seek are high profit (including minimizing taxes), little risk, continued existence, ease of sale of interests, etc (Lewis-Pendrill, accessed 2011; Riahi-B, 2004). One criticism of proprietorship is that it is not possible to determine the profits of individual common stockholders of a corporation and corporate profit when equated with personal gain of proprietors defines the propriet ary concept yet there isn't much support to this. The stockholders' share of increase in proprietorship through residual equity shows the applicability of the proprietary concept and stockholder control. Yet stockholders have to be responsive to the wishes of equity interests as they are the owners and have greater control and bear greater risks and rights of residual equity (Riahi-B, 2004, Mourik, 2010). Usually large businesses have stock option plans for their executives along with incentive bonus plans. This has resulted in management interests to increase profits and identify interests with those of proprietors (Hendriksen and Breda, 1992). The entity concept suggests that a business or unit accounted for or considered within accounting practice must be considered as entirely separate from shareholders and owners of the business. Thus the business is seen as not an ownership but a separate entity. The entity is thus seen as having a separate and distinct existence from its owne rs and the owners are almost seen as long term creditors. The balance sheet equation suggests that " Assets=Equities." (Mourik, 2010) However despite the simplicity of the concept , the entity theory faces some confusion and uncertainty and the nature of equities is not completely clear. There are also difference of opinions and although creditors and owners are seen as distinct, accounting processes treat them similarly

The China Threat and US Security Research Paper

The China Threat and US Security - Research Paper Example The China threat to the United States has emerged as a result of the United States military support and cooperation to Taiwan and Japan. This sends a message of a stronger military coalition in the region that pose a threat to China, therefore giving room for the development and deployment of a stronger force by the communist republic of China combined with provocative and warning sentiments on the issue (Gertz, 2002, p.8) The China Threat to US security is evolved from the actions of the United States further to the initial 1999 attack of the Chinese embassy in Belgrade and another military build-up along the Chinese border in cooperation with Japan (Gertz, 2002, p.1). The China Threat to US Security is substantial due to the various public statements and report in China that openly oppose the mono-polarity and hegemony of the US in terms of military and economy. Hence China has declared a limited war in the case of a military invasion from the US to support Taiwan (Gertz, 2002, p.9). China has called for its people to follow the thought of Deng Xiaoping and Mao Zedong while moving forward to achieve the goals of China. The Chinese government requires its people to follow the values of social modernization and socialist reform to open up new horizons of prosperity and development. The Chinese leadership appeals to its people to work towards economic globalization and political multi-polarity at the turn of the century. The word multi-polarity is intended to overcome the mono-polarity of the United States and its position as a superpower of the world. The unfriendliness of China towards the US is further clear from the various reports and statements published in the Chinese media (Gertz 2002 p.10).

The topic is added to the personalised control panel Essay

The topic is added to the personalised control panel - Essay Example This period in the history of America, during which the practice of bootlegging soared to popularity, is effectively represented in the book The Great Gatsby by Fitzgerald. The book helped in effectively portraying the culture that was rampant during that period in history, where people resorted to various illegal activities and which was highly representative of a gradual moral degradation of the American society. The moral decline is depicted by Fitzgerald by the three central characters of the book namely Gatsby, Daisy and Tom. This paper seeks to explore and discuss the concept of bootlegging and its relationship with The Great Gatsby. The concept of Bootlegging is used in reference with the illegal trafficking of liquor in the United States during the early 1920s. The expression Bootlegging was formerly used to illustrate the practice of hiding the containers of illegitimate liquor in boot tops while executing trade deals with the Indians. The concept gained widespread popularity in the 1920s after the consumption; manufacturing or sale of liquor was prohibited by passing of the 18th Amendment to the Constitution. Formerly, the bootleggers smuggled imported liquor from the neighboring countries such as Mexico and Canada through ships which were anchored in international waters while various other types such as medicinal whiskey, denatured alcohol, corn liquor were eventually added as part of the trade. The prohibition and the subsequent smuggling of liquor ultimately contributed to the rise of organized – crime groups which managed all the activities associated with purchase, manufacture and sale of illega l liquor in various places of public gatherings such as restaurants and public halls1. Bootlegging became immensely popular and widespread after the eighteenth amendment was added to the Constitution in January 1920, which prohibited the manufacture, transportation, import / export, and sale of intoxicating drinks across the

Black on the Block Essay Example | Topics and Well Written Essays - 1000 words

Black on the Block - Essay Example   Ã‚   Question 1 Mary’s main idea in the book, Black on the Block mostly focuses on the middle class people who were living a middle class lifestyle in Chicago. High percentage of the people who were in this group comprised of the blacks who were struggling to keep their standards as those of most Europeans who had high class lifestyle. These efforts were also aimed at reducing discrimination on the blacks due to their race. Mary claims that the blacks were not given equal chances as the whites but she forgot that this was not their land of origin. Mary therefore focuses mostly on the poverty of the blacks and the challenges the faced as a result of this poverty. An area in Chicago by the name North Kenwood-Oakland was the resident for both the rich and the poor. However, the number of the rich was highly increasing in the area. That was a great challenge to the people in the middle class level since it subjects them to a risk of being pushed away and looses their houses to the rich. Mary believed that that would subject them to more poverty but they had no alternative. Mary claimed that financial institutions would loan them but that could not be right since they owned nothing as they were in a foreign country. This discrimination blocked them from borrowing a loan from financial institutions that could have helped them in coming up with projects which could have initiated profit generation. They thought that the main reason for the discrimination of the black was as a result of their race and skin color but it was their home origin. The blacks did all they could to see to it that their rights as human beings were respected. They wanted to be given equal privileges like the fellow citizens. This led to riots in the streets of Chicago.    Question 2 Mary takes the reader through several things that were done to the black community living in Chicago and the problems they faced. She talks a lot of negative things concerning Chicago some of them being on how the whites were going to better schools than the blacks. She exaggerates this story so much on the negativity of Chicago. As she approaches the end of the story, she focuses mostly on the on the unity of the black community and how they worked together on fighting the discrimination that was subjected to them. This shows that she was very happy for the black since she was in their support. This proves that the research she did was not recommendable since she was biased and she favored the blacks. The reason for this was because she was also in the middle class as the African-America community.   What the blacks were going through was not discrimination since Chicago was not their land and that was the result for the ir poverty. However they were lucky to be treated as the whites after their demonstrations. Question 3 For an individual to be in a position of writing such a book, a lot of information is required. This can be easily proved by a lot of history that is contained in this book.   For instance, as Mary continues with her story, she gives a information in form of numerals and ratios to show the progress that the blacks were making in order for them to win this battle of discrimination. Within duration of twenty years, the black’s community increased from 21% to 99%, which was through interactions within themselves and also with the white. This increase helped them to be

The various types of communication Essay Example for Free

The various types of communication Essay Types of communication People communicate with each other in a number of ways that depend upon the message and its context in which it is being sent. Choice of communication channel and your style of communicating also affect communication. So, there is variety of types of communication. Types of communication based on the communication channels used are: 1.Verbal Communication: Verbal communication refers to the the form of communication in which message is transmitted verbally; communication is done by word of mouth and a piece of writing. Objective of every communication is to have people understand what we are trying to convey. Verbal Communication is further divided into: Oral Communication Written Communication 2.Nonverbal Communication Nonverbal communication is the sending or receiving of wordless messages. We can say that communication other than oral and written, such as gesture, body language, posture, tone of voice or facial expressions, is called nonverbal communication. Nonverbal communication is all about the body language of speaker. Classification of nonverbal communication 1)Body Language ( Kinesics) 2)Touching ( Haptics) 3)Personal Space and distance ( Proxemics) 4)Use of Time (Chronemics) 5)Tone of Voice (Paralanguage) 6)Physical environment ( physical Context) Kinesics: Kinesics is the most often studies and important area of non verbal communication and refers to body movements of any kind. Different body movements can express inner states of emotion. The different body movements are Facial expressions, Eye Movements, Gestures, Head movements, Posture, Physical appearance Haptics: Haptics refers to communication through touch. We can use touch to communication affection, assurance, familiarity, comfort, sympathy and other emotions. Touching can be interpreted as an assault. Hence we must use tuch as a communication tool carefully. Touching is used for the following purpose Working, Greeting, Establishing Friendships, Guiding, Managing interactions Proxemics: Proxemics is derived from the word ‘Proximity’ or closeness and is the communication term for personal space and distance. The space and distance which we choose to keep from people is also part of non verbal communication. Each of us has our own inner and outer circle, which differ for different people. The different types of spaces are as follows Intimate space, Personal Space, Social and public space, Fixed Space, Semi – fixed space Chronemics: Chronemics refers to the study of usage of time. This includes our attitudes towards punctuality and willingness to wait. It also deals with the manner in which we structure our tim and interactions. Perception of importance of time varies between individuals and cultures. Paralanguage: Para means ‘like’ or ‘similar’ to ‘, therefore paralanguage means ‘like language’ of all the forms of non verbal communication, paralanguage is closest to verbal communication. It refers to the tone of voice with which something is said. In other words, it is ‘how’ something is said , and not ‘what’ is said . the tone of voice includes the pitch ( high or low pitch), the pace ( slow or fast) the emphasis on words and the volume (soft or loud)Â  and can convey different moods and emotions. Physical context: Physical context refers to physical environment or surroundings within which we communicate. This includes the following aspects: Colour and layouts, Designs, Space Management, Location, Distance

Bergers Disease: IgA Nephropathy

Bergers Disease: IgA Nephropathy Sarah A. Poorman IgA nephropathy, or Bergers disease, is one of the most prevalent, primary, and chronic glomerular disease and an imperative cause of renal failure (Mayo Clinic, 2017). IgAN is one of the most common renal diseases present in todays world. It can occur at any age, perceiving first evidence of renal disease when people are in their teens to late 30s (Wyatt and Julian, 2013). It is twice more likely to appear in men than women, being the most common amongst Asian and Caucasian populations (Wyatt and Julian, 2013). Early stages of Bergers Disease may not have symptoms. It can be silent for years, sometimes even decades before a single symptom shows. The most common symptom witnessed is hematuria, or bloody urine (NIDDK, 2015). This is a definite sign of a damaged glomeruli. Usually, the tint of urine will become a hue of pink or resemble the color of tea or cola (National Kidney Foundation, 2016). Another common symptom to arise is albuminuria. This is when urine contains an overabundance or albumin. Albumin is a protein, typically found in the blood, which maintains fluid balance throughout the human body (Nephcure, 2016). Blood loses its capacity to absorb fluid from the body once albumin leaks into the urine. Due to the lost blood supply, low blood albumin levels will occur. Too much fluid will let to edema, or swelling, of various body parts. The most common body parts to experience edema are the legs, feet, and ankles, leaving the face and hands to be the least commonly affected (NIDDK, 2015). Foamy urine is a signal of albuminuria. The least common symptoms associated with IgAN are high blood pressure and high cholesterol levels (NIDDK, 2015). Glomerulus is a system of capillaries situated at the beginning of a nephron in the kidney (Wyatt and Julian, 2013). Its focal objective is to assist as the first phase of the filtration process of the blood, which is carried out by the nephron in the creation of urine (Mayo Clinic, 2017). IgA nephropathy, or IgAN, is considered an autoimmune disease that affects the glomeruli of the kidneys. Glomeruli are tiny filtering units where the blood is cleared. As the IgA deposits build up in the glomeruli, it causes the kidneys to leak blood and protein into the urine. Human IgA antibodies have two subclasses, IgA1 and IgA2, while IgA1 constitutes 85% of the total IgA in the circulation, starting in the bone marrow (Wyatt and Julian, 2013). Predominantly, these deposits consist of IgA, but they can also exhibit IgG and IgM antibodies by themselves or combined. As the IgA deposits build up in the glomeruli, it causes the kidneys to leak blood and protein into the urine. IgA in the glomerular deposits are exclusively of the IgA1 subclass and are in the polymeric form (Wyatt and Julian, 2013). IgA1 exhibits galactose deficiency in the O-linked glycans in the hinge region of the heavy chain (Suzuki et al, 2011). Going all the way back to basic chemistry, galactose, or Gal, is a monosaccharide sugar that is composed of the same element as glucose, but has a different arrangement of atoms (Maillard et al, 2015). The Fc receptor will blind the GD-IgA1 to create immune complexes that leads to the complement activation. The transcription of IgG and IgM trigger the pathways of complement activation, containing immune complexes (Maillard et al, 2015). Eventually, over time, the massive discharge of ctyokines, components of the ext racellular matrix, and oxidants that disrupt the function of the glomerular basement membrane will induce apoptosis (the product of TGF-B and IL-6) and glomerular scarring (Maillard et al, 2015). This creates the destruction of the kidneys which leads to the major development of end-stage renal disease. To put it simply, T cell-dependent activation of B Cells is initiated by APCs, which processes the antigen, and creates peptides to present, in MHC 11, to CD4+ T cells. This results in the production of T Helper cells. With the interaction of B and T cells, the expression of CD40L, a protein apart of the TNF (tumor necrosis factor) family, begins. Isotype switching of naà ¯ve B cells towards IgA1 and IgA2 producing plasma cells takes place. The B cells carry the antigens to the surface of the cell by Ig expression. They present this to MHC II, which aids in the recruitment of T cells. With the expression of CD40L and cytokines and signals from APCs will begin the regulation of production for IgA the IgA immunoglobulin will typically bind oneself to an antigen or infection found in the body. This will result in the activation of an immune response, which will find a way to rid the body of the infection. People with IgAN have an augmented blood result of IgA that signifies less galactose than what is considered normal. This galactose-deficient IgA, or GD-IgA1, in the blood, is recognized as foreign by the other antibodies circulating the blood. But, when an individual has IgAN, a flawed arrangement of IgA antibodies attach their selves to another IgA antibody, as an alternative of an infection or antigen, resulting in the creation of immune complexes. These immune complexes turn out to be jammed in the kidneys glomeruli, causing damage to the filters. Inflammation takes place, which causes blood and proteins to leak out of the kidneys and into the urine. Eventually, this will lead to end-stage renal disease (ESRD) and total kidney failure, resulting in death or the dire need of a kidney transplantation. Currently, there is no known cure for IgA nephropathy, with no ultimate way of knowing what path the ailment will take. Once the kidneys are scarred, they cannot be repaired. Therefore, the vital goal of IgA nephropathy treatment is to inhibit or delay the inevitable, end-stage renal disease. Some people experience complete remission and others live normal lives with low-grade blood or protein in their urine. Treatment with numerous of medications can slow the progress of the disease and help manage symptoms such as high blood pressure, protein in the urine, and swelling. Some of the medications that are currently being used to treat IgAN are as follows: 1) Angiotensin-converting enzyme (ACE) inhibitors or angiotensin receptor blockers (ARBs) which lowers blood pressure and reduces the amount of albumin in the urine. 2) Omega 3 Fatty acids, which aid in the reduction of inflammation throughout the body, in this case the glomeruli, leaving no harmful side effects. 3) Immunosuppressants such as corticosteroids medication (prednisone) will suppress the immune system response, allowing to protect kidney function. However, these can cause serious side effects such as high blood pressure and high blood sugar. 4) Statin therapy are cholesterol lowering medications that are known to help slow the damage to the kidneys. 5) Mycophenolate mofetil, or CellCept, has been successfully used in some pati ents who have had persistent protein in the urine, however, most studies so far have failed to show the benefit for using this medication. There are no sources in the current document.   Ã‚  

Albert Camus The Stranger Essay -- Stranger

Albert Camus' The Stranger What if the past has no meaning and the only point in time of our life that really matters is that point which is happening at present. To make matters worse, when life is over, the existence is also over; the hope of some sort of salvation from a God is pointless. Albert Camus illustrates this exact view in The Stranger. Camus feels that one exists only in the world physically and therefore the presence or absence of meaning in one's life is alone revealed through that event which he or she is experiencing at a particular moment. These thoughts are presented through Meursault, a man devoid of concern for social conventions found in the world in which he lives, and who finds his life deprived of physical pleasure--which he deems quite important--when unexpectedly put in prison.   The opening line of the novel sets the tone for Meursault's dispassion towards most things. The novel is introduced with the words: "Maman died today. Or yesterday maybe, I don't know" (3). Although the uncertainty originates with an ambiguous telegram, it seems that the tone alone could justify changing the meaning of the words 'I don't know' to 'I don't care.' In a sense, in the days following, he only goes through the motions of the vigil and then the funeral; the only emotion he expresses is joy when his bus takes him home and he is able to sleep. At one point, he looks back at the events of the past few days, realizes that he has to go to work, and notes: "that, really, nothing had changed" (24). Despite these reactions, there is evidence that Meursault did indeed love his mother, observed both in his defensive argument at the 'old people's' home as to why she was put there in the first place and in his recollections... ...has no comprehension of the objects in its existence--as he is unconcerned with the objects in his own life and finds meaning only within himself. Meursault does not care for objects in his world. He does not see the importance of certain words whose definitions attempt to explain human relationships either amongst themselves or their emotions in general. He does not follow 'conventional' social beliefs nor does he believe in God, nor salvation. Meursault however loves his life. It is a pure love derived from enjoying his existence on a day-to-day basis, rarely looking back and never looking forward. His love is not dependent on doing what society or some religion has deemed correct, but on what he feels he wants to do despite what most would consider common. Work Cited Camus, Albert. The Stranger. Trans. Matthew Ward. New York: Vintage International, 1989.

Essays --

Biomedical engineering is a rapidly growing field of research that is making exciting discoveries and advancements in the field of medicine at an astounding pace. With such progress there are many ethical issues that arise concerning new innovative implants, medical devices, and diagnosis and therapeutic treatments in the field of biomedical engineering in order to improve an individual’s quality of life. Neuroethics in particular has become a big topic of debate as researchers gradually decode the complex organism called the human brain. The brain has long been an enigma, its intricate inner workings perplexing even the most scholarly of intellectuals for decades. Recent advancements in neuroimaging, brain implants, and scientists’ increased knowledge of basic human psychology concerning the bases of individual behavior and personality have led to the fear that this new gained information has the potential to be misused by governments and other entities. Ethicist fear that the same devices meant to help patients suffering from devastating neural diseases could be manipulated to breach one’s privacy. Devices and treatments used to cure or alleviate effects of neurodegenerative diseases such as Alzheimer’s and Parkinson’s, or perhaps to help those who have mental illnesses or impairments could be used to decipher one’s hidden thoughts, and even used as a way to discriminate against someone based on one’s religious beliefs and values. The main areas of Neuroethics that have caused concern are brain implants and medical devices, neuroimaging, and brain machine interfacing. Implantable brain or neural devices are an exciting rapidly growing research area in class of biomedical devices. Brain implants usually function by interfering w... ... of the brain and the more complex interworking’s of the human mind. As a result the field of Neuroscience is making strides in medicine and engineering at an astounding rate with no prospect of slowing down in the near future. With such great innovation in biomedical engineering concerning brain implants, neuroimaging, and brain machine interfacing meant to improve the quality of life of individuals. The potential misuse of this technology is of great concern. As engineers grow closer to producing brain scanners that can read someone’s mind or neuroimaging machines that can be used to predict behavior and influence thoughts and emotions, Neuroethics must be a moral compass at the forefront of the field of biomedical engineering in area of neuroscience to ensure that ultimately the rights and privacy of the individuals the technology is meant to help are protected.

Staffing and Selection Essay -- essays research papers

  Ã‚  Ã‚  Ã‚  Ã‚  Bank of America is a corporation that employs over 175,000 associates that provide financial products, services, ideas, and solutions to customers in the United States. The Global Corporate and Investment Banking group (GCIB) has offices in 35 countries serving clients in more then 150 countries, with associates in all of the Americas, Europe, and Asia (Anonymous, 2004). Choosing the most qualified individual may seem like a daunting task. Bank of America’s policies and procedures for hiring associates provide a solid foundation for acquiring the best talent. With standard policies for interviewing, all individuals are subject to the same questioning. There is diversity within large number of associates the bank employs. Globalization in the business world is a necessity and corporations must increase the sensitivity levels when attempting to recruit new talent. When attempting to acquire new talent, Bank of America encompasses a wide range of staffing pra ctices and selection tools. In response to diversity and technology trends, Bank of America’s staffing practices are effective in meeting current and future employment needs of the organization.   Ã‚  Ã‚  Ã‚  Ã‚  Bank of America’s multicultural supplier and development program began in 1990. The program increased the amount of quality products and services the bank obtains directly from businesses owned by minorities, women, and veterans with disabilities. Helping diverse businesses grow through contracting opportunities and bank products allows Bank of America to grow at the same time. Within the bank, new computer-based diversity training Bank of America’s staffing department works closely with various state and local agencies to provide people with disabilities equal access to the company’s may employment opportunities. Dozens of agencies within the community that handle an applicant pool of individuals with disabilities receive a listings of open positions and job postings from Bank of America. The personnel department developed relationships with certain organizations that provide vocational services that cater to individuals with disabilities. Co mpanies like Bridges, Toolworks, and Easter seals all maintain a healthy relationship with Bank of America in order to develop ongoing relationships that assist in the hiring of individuals with disabilities. Departme... ...ng free of charge, executives and associates have incentive in wanting to be a part of Bank of America. Technology will change and Bank of America’s hiring process will change along with it. Planning for years to come, the bank devotes a lot of time and money into using and developing technology to acquire and retain the best possible talent.   Ã‚  Ã‚  Ã‚  Ã‚  In conclusion, Bank of America must follow certain business trends to stay ahead of competition. With diversity and technology, the bank devotes different departments in assuring the best talent joins the bank. Different types of research for future staffing practices assure that trends do not outdate Bank of America’s selection tools. Using different technological tools and diversity training makes the bank one of the leaders in recruitment. Strong relationships between staffing and personnel, as well as detailed selection tools, are examples of devotion to excellence. References Anonymous. Retrieved February 24, 2005 from Bank of America’s local intranet. Anonymous. (n.d.) Outreach and Recruitment Activities. Retrieved on February 24, 2005   Ã‚  Ã‚  Ã‚  Ã‚  from http://www.cablen.org/bestprac.htm

Achieving Individuation: A Jungian Archetypal Analysis Of ‘Snow White’ And ‘Cinderella’

Fairy tales are timeless stories. They are an integral part of human tradition. It arose thousands of years ago from a wide variety of tiny tales. They were widespread throughout the world and continue in our own day, though the older forms and contents have changed to reflect new realities. They were originally handed from one generation to the next by storytelling. The oral tradition of storytelling allowed each teller to make adaptations that pertained to current condition, or to add different morals depending on the audience.The most common fairy tales were not originally written for children. It is said that they were told by women, and were often more inventive and nastier, than the tales first put into print. As simple, imaginative oral tales that contained magical and miraculous elements, it was originally related to the then belief systems, values, rites and experiences of pagan people. Then it underwent numerous transformations. It shaped and was re-shaped by the interactio n of orality and print and other technological innovations like film, radio and so.Yet, every versions of fairy tale have deep, symbolic meanings that shed light in the culture that originated the tale. Also, there were lots of similarities in these tales. These similarities are those in the meaning conveyed, through certain archetypes (the recurrent patterns) in almost every story. In a nutshell, one can say that fairy tales changed with the cultural needs, demands and ideologies. The symbols and archetypes have remained virtually the same in all versions, though fairy tales changed over time to adapt to the society.LITERATURE REVIEWThere have been lots of studies and research on fairy tales. Perhaps, Jack Zipes is presently the most popular figure in the field of fairy tale studies. Jack Zipes, in ‘When Dreams Come True’, discusses the history of fairy tales, fairy tales from different countries, and the Grimm Brothers collections. Zipes focuses on â€Å"the role the literary fairy tale has assumed in the civilizing process by impairing values, norms and aesthetic tastes to children and adults. † Bruno Bettelheim, a child psychologist, looked at thepsychological meaning of fairy tales for children. In his book ‘The Uses of Enchantment’, Bettelheim explained the symbols found in the classic ‘snow white' story and interpreted the morals found in the fairy tale. He wrote the book to help the audience â€Å"to become fully aware of the importance of fairy tales. † N. J. Girardot discusses on myths and fairy tales in his article ‘Initiation and Meaning in the Tale of Snow White’. He shows the underlying structure of the tale of Snow White and relates it to different phases of a girl’s maturation.METHODOLOGYThis project will look at the archetypes found in various versions of fairy tales- literary and digital. Different sources are used to gather the various versions of popular fairy tales, especial ly ‘Snow White' and ‘Cinderella'. Concentrating on the archetypes, the paper will explore on how the theory of collective unconscious is related to fairy tales and how it works in the versions till date. Through an analysis, it intends to show that the theory of collective unconscious is valid for all literature of all time, with the archetypes in them.Recently, there have been lots of studies and research on fairy tales. Around the world, there is an enhanced interest in fairy tale studies, which has now become one of the most popular research topics in various large universities. This research, relating fairy tales and archetypes, is quite significant if we look into the modern or contemporary literature. Many of the modern fiction include fairy tale elements as well as archetypal elements in them. Thus, the relevance if this study of fairy tales and archetypes lies in almost every branch if literature.2. FAIRY TALES AND THE COLLECTIVE UNCONSCIOUSFairy tale is one of t he oldest literary genres. It is a genre of folk literature, representing mythology, folk wisdom, moral lessons and entertainment. They present the social norms of human behavior. Fairy tales are a type of short stories that typically feature such fairy tale characters, as elves, fairies, goblins, dwarfs, giants, trolls or gnomes, and often also magic and spells. However, only a small number of fairy tales refer to fairies. Fairy tales for kids may, nevertheless, be distinguishedfrom other types of folk narratives such as ballads and legends and explicitly moral tales, including beast fables. Fairy tales are common in oral as well as in literary form. The history of fairy tales is very difficult to trace accurately because only the literary forms can survive in a more or less exact original form. As the transmission of folk tales was particularly oral, many local variants of the tales appeared. Each of them reflected the social and cultural conditions of the story tellers and listen ers, and also their expectations and ideals.Such a variability and modification of the main storyline is one of the characteristics of the fairy tale genre. In certain parts of the world, in which cultures creatures such as demons, wizards and witches were perceived as real, fairy tales may have evolved into legends. Unlike legends and epics, however, fairy tales usually contain only superficial references to religious practices and actual places, events and people. They often take place â€Å"once upon a time† and not in actual specified time setting. Fairy tales fall into the basic genre of the oral folk literature.The term oral ‘folk lore’ represents various kinds of orally transmitted literature in the form of narration or verse. It includes folk wisdoms, sayings and proverbs, myths, legends and, fairy tales. Even if we know that many ancient texts similar to our fairy tales existed, the particular name â€Å"fairy tale† was first used by the French wr iter Madame d'Aulnoy, who named her stories â€Å"contes de fee†(a fairy tale) on the outset of eighteenth century. A fairy tale is said to be an epic narration that tells a simple, fictional story which may show a similarity with myth.There are various approaches to the classification of the fairy tale genre. Some are based on their motives, some on their similarities in storylines, characters, linguistic features and content. General classification of fairy tales is based on the similarity of storylines and differentiates into three main classes of tales:Magic fairy tales, which are characterized as stories with some occurrence of a magic thing or enchantment.Animal fairy tales, where Animals represent people and have human qualities.Legendary fairy tales, where biblical characters can appear.So, as per the above classification, both ‘Cinderella' and ‘Snow White' belong to the category of magic fairy tales. Fairy tales of various cultures show different features . They penetrate into other genres as myths or legends, and may accept features of fables, etc. Thus, the classification of fairy tales is broad and not so easy.2. 1. HISTORY OF FAIRY TALESa) Oral fairy tales A fairy tale represents very popular form of folk narration. Since it was handed from one generation to the next by storytelling, fairy tales changed a bit every time it was told.The teller modifies the storyline and characters to interest his audience. The modifications designed for specific audience are usual in the whole history of every narration. Such an adaptation of a story guarantees its further circulation because the story is kept current and interesting. Also, more plots and additional motives can be added and this will influence the consequent choice of characters. The early history of fairy tales and myths were handed down through generations in the oral tradition by peasants, story tellers, dancers, in feast around the festival fire, or by the various leaders.As t ribes wondered around or voyaged to other lands, their tales spread and were shared. Tribes intermarried and, eventually, women passed on what they had known. Although cultures were different, much was the same in the overall experience throughout the mortal world- life, death, love, joy, hate, strife, survival and the cycles of nature. They could all relate to each other's stories, having very similar themes. Through the centuries, tales, gradually, were tamed down, became more fanciful and noble so as to fit a modern, cultured society.The history of fairy tales, myths and legends dates back to ancient India, Persia, Egypt as well as some of the Greek and Roman mythology. Various versions of these legends and myths already existed in the old world of Europe and America. Eventually, they were written down and evolved into the so called fairy tales. It is impossible to separate out the changes and variations occurred to fairy tales, and follow their history. In other words, one canno t trace a fairy tale to the place or the culture of its origin certainly. Although a fairy tale can be recorded, in the moment of its record the narration becomes invariable.The oral transmission of tales does not stabilize by its recording, but the narration develops further. Thus, more and more variants of one fairy tale have been created. b) Literary fairy tales: Fairy tales were, originally, not written for children, but for adults. They were not suitable for children at all, in fact, with questionable content and much cruelty and violence. As they were passed down through the centuries, they have been rewritten for the younger generations. Orally transmitted stories attracted attention of collectors of folk production within Europe in the sixteenth century.The first European collectors of folk tales were the Italian authors Giovanni Francesco Straparola and G. Basile with collections of tales ‘The Facetious Nights' and ‘Neapolitan Tales'. Charles Perrault, a French collector of seventeenth century, collected common French folktales in ‘Mother Goose Tales’. Perrault's tales included ‘The Cinderella Story', ‘The Sleeping Beauty', ‘The Bluebeard', etc. He transcribed eleven fairy tales overall, most of which are very popular today. On the turn of the 18th and 19th century, the Brothers Grimm collected the German folktales.Their first work was published in 1812. It contained tales in more than ten German original dialects. Their first edition contained a record of a Cinderella story, which was told to them by a young French woman named Marie Hassentug. This fairy tale and some others were omitted in the second edition, because the Brothers Grimm considered them French and not originally German. Literary and language changes were also made in the second edition of the fairy tales in 1815 to make the tales more acceptable to the readers. Yet, both of these editions became an inspiration for the next collectors of folk tales.The name ‘fairy tales' came long before the time of Brothers Grimm. Madame d'Aulnoy of France was the first to use the term, introducing it to her friends at their parties. They were told to and meant for adults. She used the phrase ‘fairy tale' in French as ‘contes de fee', and had her writings published. The word ‘fee' referred to a woman of magic; ‘feerie' referred to illusion. As use of these words spread, they came to be known as ‘faerie' or ‘fairy' in English speaking countries. The term ‘fairy tales' first appeared in Oxford Dictionary in 1749.In the 18th century, the writings of Jean Marie Le Prince de Beaumont (also in France), became popular, especially since her stories were written more for children. She was one of the first to do so. Particularly wide spread was her ‘Beauty and the Beast'. Around the same time frame as the Brothers Grimm in the 19th century, Hans Christian Anderson was collecting and publishing his fairy tales in Denmark. He is known as the father of modern fairy tales. His stories such as ‘Thumbelina', ‘The Snow White', ‘The Little Mermaid', ‘The Ugly Duckling', spread far and wide.Again, they had a certain amount of conflict and sadness, very understandable to the common folk of the time. Many of the fairy tales were not about fairies. They included other creatures like trolls, goblins, elves, dwarfs, giants, gnomes, and also talking beasts such as dragons, unicorns, centaurs, and phoenix birds. There was somehow a knowing that the world beyond the veil was vast and rich, though no human eye ever saw it. So, all fairy tales happened â€Å"once upon a time† and not in actual specified setting.2. 2 ARCHETYPES AND THE COLLECTIVE UNCONSCIOUSA lot of modern theory on what makes a good story is based on the work of Carl. G. Jung and Joseph Campbell, both of whom were fascinated with mythology and religion. The great psychologist and philosopher, Carl Gustav Jung, influenced the mythological criticism greatly. He believed that there exists a â€Å"universal unconscious†. This idea indicates that every individual has access to â€Å"a shared set of images, called archetypes, common to all people†. The universal unconscious was expressed in art, literature and myth and Jungian literary criticism focused specifically on the analysis of archetypes in literature and written mythology.Much of the literary characters that we are most familiar with from legends, fairy tales and mythology are examples of what Jung would classify as archetypes. According to Jung’s notion of the psyche, the human mind can be divided into two- the conscious part and the unconscious part. The unconscious part of the mind covers all the life experience, knowledge, education and social training. It contains aspects of any skill acquired during the life. The skill is later brought into practice consciously, with the awareness of its re ason and consequence.The personal unconscious layer of the mind covers acquired life experience and behavior, of which reasons and origin cannot be easily identified. An example of unconscious experience is fear of a dog. The person is aware of his or her fear because of previous attack. If a dog attacks a small child, and it forgets it, the experience is suppressed and becomes a part of the unconscious. The child then feels uneasy with dogs for the rest of his life, without knowing the reason. Carl Jung believed that beneath these two layers of the conscious and the unconscious, there lies another layer which he called the â€Å"collective unconscious†.In developing his theory of racial memory and archetypes, Jung asserted that beneath the conscious and unconscious layers of mind â€Å"is a primeval, collective unconscious shared in the psychic inheritance of all members of the human family†. As Jung himself explains in ‘The Structure and Dynamics of the Psycheà ¢â‚¬â„¢, ‘If it were possible to personify the unconscious, we might think of it as a collective human being combining the characteristics of both the sexes, transcending youth and age, birth and death, and from having at its command a human experience of one or two million years, practically immortal.If such a being existed, it would be exalted over all temporal change; the present would mean neither more nor less to it than any year in the hundredth millennium before Christ; †¦it would have lived countless times over again the life of the individual, the family, the tribe, and the nation, and it would possess a living sense of the rhythm of growth, flowering and decay. ’(349-50) Thus, the collective unconscious covers the experience of whole humankind, acquired during millions of years of the human evolution. Jung described the content of the collective unconscious more explicitly.He claims that there are behavioral patterns (that are collective) in every human m ind. Just as certain instincts are inherited by the lower Animals (for example, the instinct of the baby chicken to run from a hawk’s Shadow), so more complex psychic predispositions are inherited by human beings. Jung says that â€Å"mind is not born as a ‘tabula-rasa’ [a clean slate]. Like the body, it has its pre-established individual definiteness; namely, forms of behavior. They become manifest in the ever-recurring patterns of psychic functions†.He refers to the manifestations as â€Å"archetypes† or â€Å"motifs† or â€Å"primordial images†. Thus, Jung presented the notion of an archetype- a symbolic demonstration of the collective behavioral patterns in every human mind. â€Å"These archetypes can be found only in the human’s unconscious and people consciously do not know that they follow a general pattern of behavior. (Jung) This theory suggests that all people have all the possible archetypes in the unconscious part o f the mind. The adequate archetype activates and controls our behavior according to various life situations.Jung detected an intimate relationship between dreams, myths and art in that all three serves as media through which archetypes become accessible to consciousness. In other words, myths are the means by which archetypes, essentially unconscious forms, become manifest and articulate to the conscious mind. The context of character, situation and places can provide a space for a particular archetype to occur. The universal unconscious was expressed in art, literature and myth, and Jungian literary criticism focused specifically on analysis of archetypes in literature and written mythology.A Jungian literary may simply evaluate the effectiveness as a particular archetype in a novel. While reading literature in Jungian literary criticism, the central character is viewed as real, while most other characters are seen as symbolic representations of aspects of the hero’s unconsc ious self. The characters all stand for parts of the protagonist’s unconscious desires or parts of the unconscious which the character has yet to access.2. 3 JUNG’S THEORY OF INDIVIDUATIONAccording to Carl Gustav Jung, the goal of all humans is to achieve a state where the unconscious is known and integrated into the conscious mind.In other words, the unconscious aim of all people is to become their own self. This process is called individuation. Individuation is the final stage of the human development that represents the union of the matured individual identity with one of the unconscious archetypes. It is a process that can take the whole life, but it can also be achieved through a particular life situation. Individuation is a reconciliation of a man with his real self, which has to be consciously accepted and requires extra courage and honesty.The theory of individuation is related to those archetypes designated as the ‘Shadow’, ‘Persona’ and the ‘Anima/Animus’. The Shadow, the Persona, and the Anima/ Animus are the structural components of the psyche that human beings have inherited. We encounter these archetypes throughout the myths and the literatures. Here, the Anima/Animus, the Shadow, and the Persona are projected, respectively, in the character of the heroine, the villain and the hero. The Shadow is the darker side of our conscious self, the inferior and less pleasing aspects of the Personality, which we wish to suppress.The most common variant of the archetype, when projected, is the Devil. In Jung’s words, the Devil represents the â€Å"dangerous aspect of the unrecognized dark half of the Personality†. Shadow contains all the negative tendencies the individual wishes to deny, including our Animal instincts, as well as our undeveloped positive and negative qualities. Its contents include those tendencies, desires and memories that are rejected by the individual and are contrary to the social standards and ideals. The Persona is the appearance we present to the world.It is the character we assume and that which we relate to others. The Persona includes our social roles, the kind of clothes we choose to wear and our individual styles of expressing ourselves. The term ‘Persona’ comes from the Latin, meaning â€Å"mask† or â€Å"false-face†, as in the mask worn by an actor on a stage through which he speaks. Jung, in discussing this social mask, explains that, to acheive psychological maturity, the individual must have a flexible, viable Persona that can be brought into harmonious relationship with the other components of his/her psychic make-up.He states, furthermore, that a Persona that is too artificial and rigid results in such symptoms of neurotic disturbance as irritability and melancholy. The Anima/Animus is perhaps the most complex of Jung’s archetypes. It is the complement of the Persona. The Anima and Animus are the unc onscious or true inner self of an individual, as opposed to the Persona or outer aspect of the personality. The Anima is for males and the Animus is for females. It can be identified as the totality of the unconscious feminine psychological qualities that a male possess; or the masculine psychological qualities possessed by the female.The Anima manifests itself by appearing as figures in dreams as well as by influencing a man’s interaction with women and his attitudes towards them, and vice-versa for females and the Animus. The Anima functions as the primary mediator between unconscious and conscious. It is oriented primarily towards inner process, just as the Persona is oriented to the outer. In this project, two of the most popular fairy tales have been selected- Cinderella and Snow White. Both the fairy tales will be analyzed and interpreted based on the Jungian psychology.Indicating that both the fairy tales are actually a psychological process, I will try to reveal the a rchetypes in the stories and show how Snow White and Cinderella goes through the process of individuation to achieve their true self. Also, by analyzing both fairy tales from this perspective, I will try to reveal the similarity of archetypes in these independently created fairy tales.3. ARCHETYPES IN ‘SNOW WHITE’‘Snow White’ is a magic fairy tale. It is the story in which a child is victimized by an adult. Adult anxieties and jealousies cause the adult in the story to act against the children, who are being the objects of adult jealousy.‘Snow White’ is a classic example of a fairy tale with many characteristic fairy tale elements. There are magical elements, a fictional setting, and characters with supernatural powers, a heroine, a happy ending and themes of adult anxieties. Snow White goes through changes from a girl to a woman by the end of the story. In almost every version of Snow White these elements exists. The most popular and current v ersion of ‘Snow White’ is Disney’s 1937 movie ‘Snow White and the Seven Dwarfs’. The Disney movie is very similar to the oldest known copy of the tale, the Grimm Brother’s 1857 version of ‘Little Snow White’.The Grimms collected the fairy tales that they printed from oral tales. The probable beginning of the story of Snow White exists in an oral tale. There are many other versions of ‘Snow White’, mostly found in Italy and all similar to the Grimm Brothers’ version. While some of the details of the story may have been changed to fit each culture, the same themes exist in each story, though each version was independently created. In other words, the story of Snow White can be found with little variations all over the world.So, it is a fairy tale which has a lot of meanings for many people and, like myth, continues to fascinate.3. 1 SNOW WHITE: A BRIEF HISTORYAlthough the most famous version of the tale today is Disney’s classic Animated film ‘Snow White and the Seven dwarfs’, it has existed in many versions in the centuries preceding Disney. The Grimm Brothers collected the tale from the two sisters- Jeannette and Amalie Hassenpflug- who lived in the town of Cassel. The tale was well-known before the Grimms’ collection however and appeared with little variation from Ireland to Asia Minor to Central Africa.The earliest version of the tale can be found in Giambattista Basile’s ‘Pentameron’. It is believed that Basile’s literary version influenced the versions which followed. Disney based his film on the Grimms’ version of the tale. Disney actually changed some aspects of the tale which had been edited out in the previous versions intended for children, especially the Queen’s demand that Snow White’s heart be delivered to her as proof of the child’s death. In 2012, a Hollywood film ‘Snow White and the Hunt sman’ based on this tale was released by the Universal Studio.3. 2 SNOW WHITE: AN ARCHETYPAL ANALYSISThe tale of Snow white is a very simple one but it still holds much for us that remains deeply buried within its simplicity. Perhaps it was ‘invented’ to show us something of ourselves and perhaps these simple stories are, as C. G. Jung considers myth to be, the ‘unconscious expressions of ourselves’. Like dreams, fairy tales including Snow White and Cinderella, appears to be a product of the human unconscious, that offer a vision that is complementary to the prevailing conscious view.But instead of a dream that functions from the individual psyche, the fairy tale seems to function from an entire culture. It is effectively a collective fantasy. As it is told and retold, elements of the story added by the individual teller fall away, while the more universal theme remain. So it becomes valid for the group of people in general. In this analysis of †˜Little Snow White’ (as recorded by the Grimm Brothers), I will assume that the whole story describes a state of immature feminine psyche. All the images in the story will be seen as aspects of a feminine.Based on Jungian literary criticism, the central character, Snow White, is viewed as real while the other characters (evil step-mother, the huntsman, the seven dwarfs, and the Prince) are seen as symbolic representations of the various aspects of the heroine’s unconscious self. These characters all stand for parts of the unconscious which the heroine will eventually access. The story starts out with a Queen sitting alone by a window in mid-winter. While sewing, a needle pricks her finger and three drops of blood falls on the white snow.Gazing at the drops of blood, the Queen wishes for a girl who is as white as snow, with black hair and cheeks as red as rose. The insistence on whiteness of the girl implies that darker, shadowy aspects are not wished for by the biolog ical mother. They are missing in her child, although the black of the hair hints at deep darkness. ‘Snow White’- the name alone sets the stage and the theme: the story will be about the heroine’s- or a female psyche’s- confrontation with and integration of Shadow aspects. The Queen’s reflection, Jung considers, is a masculine trait within the feminine.The Animus often uses the silent image to illustrate ‘a painter†¦or as a cinema-operator†¦or owner of a picture gallery†¦Ã¢â‚¬â„¢. Snow White’s mother ‘gazed thoughtfully’ on the image and places her future offspring into its structure by visualizing her future child’s attributes. We can find a pure feminine act of imagination as well as Jung’s ‘masculine trait’ of a mother imaging her daughter’s nature prior to birth. At the start of the story, Snow White or the female psyche is far from complete, as she is both innocent and im mature. Also, she lacks a caring mother figure within.In the first paragraph of the fairy tale, we read how the Queen died at the birth of her child and after her death, ‘†¦the king took another wife’. This is the only time when Snow White’s father is mentioned. He is an indolent father because he utterly fails to protect his child from the murderous hands of his new wife. The ‘absent one’ in a person’s life or the one that is least mentioned, the father, has an enormous contribution to the whole tale. Snow White starts out with an almost non-existent father figure or ‘Animus’ and at this stage the mother is dead.This state of the psyche is tragic. It lacks a caring mother image and a father who cannot stand up for her. ‘Doing nothing’ is the most expressive form of violence, because the very act of non-doing prevents its cure. Here, the king does not offer any guidance or suggestions on his daughter’s lif e. He does not even attempt to control the raging forces within her personified as the wicked step-mother. In other words, he does nothing against the opposite raging or the ‘Shadow’. Thus, the father is like a ‘weak Animus’ in the unconscious.The counter balance to the weak Animus is an inflated negative feminine ‘Shadow’ which is totally unconscious and seems to possess a peculiar wisdom of its own in the form of the evil stepmother Queen. As we explore through the story, there is a growth of the primal female in the form of wicked stepmother Queen. This dominant Shadow tries to dislodge the Ego- the center of consciousness and one of the major archetypes of the personality. The Ego provides a sense of consistency and direction in our lives.It tends to oppose whatever might threaten this fragile consistency of consciousness and tries to convince us that we must always consciously plan and analyze our experience. The Ego within Snow White is i nfantile in development and immense. Thus, it is not a surprise that the Shadow is trying to dislodge the Ego. Here, the stepmother Queen is like the Shadow archetype within the unconscious. In many fairy tales, there are two mother figures: one is totally and absolutely good while the other is just as unequivocally dark, sinister or evil.Our tale shows a split in the mother archetype in the feminine psyche. The wicked Queen is envious of Snow White because the young girl is becoming very beautiful, and, eventually, more beautiful than the Queen herself. Jealousy and envy between a mother and daughter are debatable topics in our society. Our understanding of motherhood heavily emphasizes a completely selfless, self-sacrificing mother. We label that as the ‘positive’ pole of the mother archetype. We simply cannot accept that a mother could possibly be envious and jealous of her daughter.Only a wicked stepmother is capable of such ‘unnatural impulses’. As sai d before, the Ego within Snow White is actually under-developed. The Ego began its own development when Snow White was seven years old. It was then we find terrors expressed by the stepmother Queen. This terror can also accommodate jealousy, a lack of love for the child within, which then becomes hateful and murderous that ‘†¦she would have been ready to tear her heart out of her body. ’ (Grimm) This is the first phase of Snow White’s life- from birth to pre-adolescence.During the first phase of her life, Snow White lives in her parental castle literally as well as psychologically. A threatening stepmother’s increasingly malevolent energy (suitable image for a powerful negative mother archetype) propels the heroine into the next phase- the transitional phase. During the transitional phase, the young girl is being prepared for her life as an adult, as a married Queen. In order for her to understand fully all aspects of life, she is â€Å"dropped† into the woods, at a distance of seven mountains away from the castle. She lives in a different, secret world.Now, the transitional stage involves the first glimmer of awareness on the part of Ego. It is considered a threat by the Shadow figure in her psyche- the wicked stepmother. So, the first state of male awareness emerges- the huntsman who will do no harm, but will not protect her either. This is a transit stage for Snow White as she finds herself wandering in the wilderness of the wood abandoned by adults. The Shadow within, the Queen, is out to destroy Snow White (the Shadow is trying to integrate into the Ego) and has hired the services of the huntsman as the killer.Thus enters the second male figure in the tale. The hunter is unable to kill Snow White, as he is taken by her beauty and innocent pleas, and instead tells her to run. (Grimm) It is suggested that the huntsman is an unconscious representation of the father since he is first taken by the Queen’s command a nd then succumbs to the child. Nevertheless, he is not as violent as the first in that he does do something and he refuses to harm her, but also fails to protect her, letting her go into unknown dangers in the woods. At least, he deceives the Shadow figure and takes back the heart of a deer as a pretense.The Ego at this stage is under the spell of unknown forces within and is restricted in freedom, ‘†¦being alienated from normal life’ (Jung) where she continues ‘hiding in the woods’ It is forced to run away from the normal life by the Shadow which is yet unknown. Snow White now wanders through the dark, deep forest and, finally, meets the seven dwarfs. This marks the beginning of the third phase in Snow White’s life. It is a more matured stage. Here, Snow White meets the common man- the seven dwarfs. N. J. Girardot calls this as the liminal period in his article ‘Initiation and Meaning in the Tale of Snow White’.In many tales the dw arfs are malevolent and destructive beings, but as in this case, they can also be the creative agents of growth and rebirth. Indeed, in this story, the dwarfs can be taken as the divine ancestors, teachers, refiners, guardians, or helpers necessary for a successful initiation. (Girardot, 290) Snow White stays with them and â€Å"keeps house† for the first time and thus, in a way, she starts to learn the lore of adult life that will be expected of her. The dwarfs teach her adult tasks, such as cleaning and cooking.They work all day and expect everyone to do so. Thus, Snow White enters a tentative agreement based on mutual help. The dwarfs warn her against the stepmother Queen. Girardot says that they are like protective agents in the passage of Snow White’s life. (Girardot, 291). The dwarfs are helpful and also a positive force. Carl Jung thought of the dwarfs as a representation of the natural wisdom. They are clarifications of teachers and foster parents. At this poin t, in her process of individuation, Snow White is introduced to the â€Å"masculine creative energy† (Buchholtz, 9).Her past understanding of the masculine was limited to an absentee father and an encounter with the huntsman. In other words, Snow White did not really have an encounter with the Animus yet. Now, she meets the Animus in the form of many which is ‘undifferentiated’. ‘The Animus also embodies helpful figure†¦Ã¢â‚¬â„¢ as the dwarfs proved to be, and thus starts the Ego’s road back to recovery (Jung). Here, the Animus is the helper who brings the Ego out of its forced, restricted life and, thus, Snow White is once again on her way to success, to achieve individuation.In this stage, the Shadow becomes aware of the budding Ego. Thus, it takes up a disguise. While she is living with the dwarfs, Snow White is tempted thrice by her stepmother who disguises herself as an old woman selling lace, comb and apples, respectively. â€Å"As the dw arfs might be said to represent the creative and positive dimensions of the chaotic condition, the stepmother now directly embodies the negative and destructive dimension of death and decay† (Girardot, 291). The life with the dwarfs has made Snow White more responsible and also free to be herself again.Thus, the Ego is not under any restrains and begins to develop. The Shadow, the negative aspect, is warned (by the mirror) against this development of the Ego. The stepmother first attempts to kill Snow White with poisoned laces (Grimm). Being tempted by the beautiful laces, Snow White lets her disguised stepmother into the dwarfs’ house. She is now an adolescent tempted by beauty and this temptation leads her to near death. The second time, Snow White is tempted by the comb which also results in her almost death.The dwarfs manage to save Snow White both the times, but could not save her the third time when she was tempted by the apples. Snow White fails to listen to the dwarfs thrice. Therefore, in the third phase, what we see is a conflict between the Ego and the Shadow. As said before, the Shadow is trying to somehow dislodge the Ego and, in the third attempt, it succeeds. Also, the Ego was actually succumbing to the negative energy of the Shadow. In this state, Sow White is unable to get in touch with her feelings. The split (between the Ego and the Shadow) within herself becomes evident.She is actually witnessing the hatred expressed by her own negative mother. Here, the Shadow is actually trying to overthrow the Ego and gain control over the female psyche. The Ego, here, is hiding herself and, thereby, grows slowly, making up for the lack of Animus in the psyche. For Snow White’s personal growth, her transcendence is dependent on the process of building up the inadequate masculine father through the help of the dwarfs. In a gist, we can say that in the third phase the Ego is more matured and is on its way to achieve individuation.It is frequently restrained by the Shadow within the unconscious. Nevertheless, it develops with the help of Animus which it lacked in the first two phases. The fourth and the final phase is when Snow White falls down almost dead and is, later, saved by the Prince. The dwarfs had found Snow White, who had eaten the poisonous apple, dead and they decide to place her in a glass coffin. Later, a Prince is given the coffin by the dwarfs who pity him. The Prince comes into her world only when Snow White is unconscious. Now the Ego is in a comatose stage which is a special kind of sleep.In this state, the Shadow stops to attack the Ego and does not try to control it. The Ego now has a chance to return to life and at the same time unite with the Animus (the Prince). Thus, in the tale, Snow White is married to the Prince. United in marriage, they return to put the villainous character, the Shadow, in her proper place. In the fourth phase, the Ego recognizes the Shadow, overthrows it and unites wi th the Animus, thereby, finding its true self. For the first time in the story, the wicked stepmother is ‘invited’ by the Ego. She joins in with what Snow White is doing.Here, the Shadow is recognized. This is the final process where the Shadow is invited by the Ego to integrate with it. Snow White had suffered so much in her life. She was robbed of her rights as a Princess; she was not allowed to live a normal life. Despite this, she does not show any sort of rage or grief. As Jung says, this can happen only when the Prince or the Animus has established itself in the feminine psyche. Thus the wicked Queen, who was invited to the wedding of Snow White and the Prince, was â€Å"forced to put on the red-hot shoes, and dance until she dropped down dead. † (Grimm).The wedding is taking place at the same time when the Shadow is defeated. This indicates the unifying of the feminine and the masculine, and also the death of the Shadow within the unconscious. The Ego unit es with the Animus, thereby, attaining the true self. The Ego is completely developed now. Therefore, the fourth phase is symbol of the completion of individuation.4. ARCHETYPES IN ‘CINDERELLA’‘Cinderella’ is one of the most popular stories in the world. Like almost every fairy tale, the true origin of the story is unknown. There are various versions of ‘Cinderella’, originated from various countries and cultures.Yet, the themes of the stories are similar in all versions. Every version of ‘Cinderella’ centers on a kind, young girl who is tortured and ill-treated by her own family, after her mother’s death. Her father is either absent or neglectful, depending on the version of the story. The girl is helped by someone to triumph over her family and achieve a wealthy marriage. Like ‘Snow White’, ‘Cinderella’ is also a magic fairy tale. It consists of many fairy tale elements. There are magical elements , opposing characters, a heroine, a happy ending and themes of adult anxieties. Cinderella goesthrough changes from a girl to a woman by the end of the story. In almost every version, these elements exist. Currently, the most popular version of ‘Cinderella’ is that of the Disney’s Film in 1950. This film is based on the version by the Grimm Brothers. They had collected their version of ‘Cinderella’ from oral tales. There are also many other versions of the tale found in many parts of the world. The Charles Perrault’s version is also quite famous. While some of the details of the story may have been changed to fit each culture, the same themes exist in each story, though each was independently created.Thus, born centuries ago, the fairy tale still continues to live and fascinate people.4. 1 ‘CINDERELLA’: A BRIEF HISTORYThe story of Cinderella had been around the world long before the Disney or Grimm version. It is said that there a re over a hundred versions of this fairy tale. The story was first recorded by Tuan Ch’eng-shih of China in the middle of the 19th century. Long before he recorded the tale in writing, the people of his day probably knew oral telling of it. In this version, however, Yeh-shin, the heroine, is helped by a magical fish, and not a fairy Godmother.In 1697, Charles Perrault recorded ‘Cinderella, or The Glass Slipper’ in his collection ‘Tales of Mother Goose. ’ This version included the fairy Godmother. Also, in the end, Cinderella finds husbands for her stepsisters. During the 19th century, the Grimm Brothers from Germany changed many elements in this tale and it was called ‘Aschenputtel’ or ‘Ash Girl’. In modern times, the tale of Cinderella has inspired countless picture books, musicals, novels, etc. It is the 12th animated feature film in the Disney Animated feature canon. It was released in 1950.4. 2 CINDERELLA: AN ARCHETYPAL INTERPRETATIONWe usually take the story of Cinderella, like other fairy tales, for the sole purpose of entertainment. But it is interesting to know that this is a wise story infused with different meanings and symbols. Perhaps, it shows something of us as Carl Jung considers myth to be ‘unconscious expression of ourselves’. As mentioned about ‘Snow White’, ‘Cinderella’, too, seems to be like a product of human unconscious and offers a vision that is quite opposed to the prevailing conscious view. In this analysis of ‘Cinderella’ (as recorded by Charles Perrault), I will assume that the whole storydescribes a state of immature feminine psyche. All the images in the story will be seen as aspects of a feminine. Based on Jungian literary criticism, the central character, Cinderella, is viewed as real while the other characters (stepmother, stepsister, father, fairy Godmother, the Prince, etc. ) are seen as symbolic representations of t he various aspects of the heroine’s unconscious self. These characters all stand for parts of the unconscious which the heroine will eventually access. The story begins by describing the background of the fairy tale.We come to know that after the death of the heroine’s mother, her father took in another wife who had a daughter. The stepmother and stepsister were â€Å"the proudest and the haughtiest that were ever seen† (Perrault, 1889). They did not like Cinderella, nor did they tolerate her good nature. The initial part of the story shows Cinderella’s way of life after her father’s death. The introduction presents obvious facts known to Cinderella. For her, this represents the conscious. The main contrast between the conscious and the unconscious is represented by the known and the unknown situations.By the death of the father, there is a threesome in the story- the stepmother, stepsister and Cinderella. This indicates an incomplete cycle. Only w hen we reach number four will the cycle be complete. Cinderella, the stepmother, the stepsister and, eventually, the Prince is one example of a quaternary. At the start of the story, Cinderella or the female psyche is far from complete. She is very innocent, naive and immature. This immature female psyche lacks a caring mother figure within. In the first part of the story, we learn that the father took in another wife and he was completely dominated by her.We notice that this is the only time Cinderella’s father is mentioned in the story. He is an indolent father because he fails to save his daughter from the torturing hands of his wife. The father is an â€Å"absent-one† in Cinderella’s life. Yet, he does a great contribution to the whole story. The female psyche starts out with an almost non-existent father figure or Animus and, at this stage, the mother is dead. This state of the psyche is tragic. It lacks a caring mother image and a father who cannot stand u p for her. ‘Doing nothing’ is the most expressive form of violence.The father does not offer any guidance in his daughter’s life. He does not even attempt to control the raging forces within her, personified as the cruel stepmother. He does nothing against the Shadow within the female psyche. In other words, the father represents a weak Animus in the psyche. As mentioned before, after the death of the father, a women-threesome is formed. The stepmother is a total negative character. She represents the negative power of the psyche. The stepsister, although being a passive character in the tale, also is connected with the mother and intensifies her negative power.Cinderella is the only positive power of the psyche in the threesome. From the beginning of the story, we notice that the Shadow s dominant in the female psyche. It has a control over the Animus and is, at the same time, trying to overthrow the Ego, which is young and under-developed. The stepmother, repre senting the Shadow archetype, is jealous of the young girl for her beauty, kindness and good nature. Thus, she is an active wrecker. The woman-threesome represents the principals of the woman’s psyche, the essential self of women. Every woman is born with this essential self.Cinderella, the positive character in the threesome, is the real essence of the woman’s self. According to Jung, the features of the dark side of the woman’s soul are expressed by instability, anger or hatred. The beginning of the story shows an unbalanced psyche. There is a dominance of the Shadow and a lack of the Animus in this psyche. The Animus is the man’s power of the psyche; it is a masculine principle that appears in the woman’s psyche. Typical attributes of the Animus are, for example, rationality, power, action or reasonableness.The Animus and the Self complement each other. Finally, in the harmonized psyche, they are integrated into one another, thereby achieving in dividuation. Cinderella is passive in the beginning of the story. She suffers a lot but does not protest against the atrocities towards her. She simply waits for her destiny to get better. At this stage, the Self, the essence of the woman’s psyche, is suppressed under the dominance of the Shadow in the unconscious. Also, in the stage Cinderella does not have any friends. She is not sharing her grief with anyone until the fairy Godmother appears.The fairy Godmother appears when Cinderella was alone in the house, her stepmother and stepsister having left for the royal party at the king’s palace. The Godmother is the only friend Cinderella has, who compensates her love, friendship and the feeling of loneliness. Jung describes the fairy as the â€Å"soul-mate† and â€Å"the incarnation of inspiration and spiritual fulfillments†. The fairy Godmother comes to Cinderella from some unknown place. This symbolizes the unconscious. Now, Cinderella shares all her sor rows, wishes and grieves with her, and, finally, finds relief in a friend.This relief was very essential for her existence. The fairy Godmother from her unconscious is her own thought, her desire and hope for the change of the current situation. Talking with the fairy, Cinderella pursues her hope for a better life. Here, the Ego is trying to find a way for its integration with the Animus, in the absence of the Shadow. The Shadow finds Cinderella as a threat and hence, does not allow her to attend the royal party. Our heroine is left alone at home when, for the first time, she speaks out her wish. Thus, at this stage, there is a first glimmer of awareness on the part of Cinderella.She is considered a threat by the Shadow figure in her psyche. The Ego is restricted in freedom. It is ‘alienated from normal life’ (Jung). It continues to ‘hide’ in the house and is forced to retreat from the normal life it wishes to live. The appearance of the Godmother meant the revelation of Cinderella’s wishes. Later, the fairy disappears. This means that her hopes are revealed and must be suppressed. It must be hidden deep in the unconscious. Hence the fairy god mother disappears, never to return in the story. But her magic and magical powers do not disappear completely.It remains with Cinderella till she wears the glass slippers and turns into beautiful Princess. Cinderella is blessed by the fairy Godmother. She is enchanted, gets new, beautiful dress, jewels, and a pair of glass slippers. This magic symbolizes her taking on a social mask. She presents herself the way she wants to be seen by other people. Here, the archetype of Persona has come to the fore. The Persona is the character we assume and that which we relate to others. It includes our social roles, the kind of clothes we choose to wear and our individual styles of expressing ourselves.Jung explains that Persona is important to achieve psychological maturity. The moment of the Cindere lla’s decision to attend the royal party indicates the rise of Animus in the psyche. She uses the magical powers enchanted upon her and this stands for the rebirth of Animus, the man’s psyche in her mind. Even though she stays a passive victim under the pressure of the external circumstances, on the level of conscious, Cinderella struggles with it. She is aware of her desires and the power to reach them. This awareness of the inner power is the first sight of the Animus.The Animus principle represents straightness, rationality, power and action (Jung). Cinderella is warned by her godmother to return from the party â€Å"before the clock strikes 12†. During the party, as soon as the clock strikes 12, Cinderella runs away from the palace. Jungian scholars interpret this as the test of the power of the Animus in Cinderella. She does not have any experience with the way the Animus behaves as she has never been exposed to it. She has never tried to be straight or fol low her aims, rather submitting to the negative forces, without protest.She wants to listen to the Animus, but she is afraid of the people’s reaction to her new attitude to life (her Persona). Although she believes that she deserves to be there, she runs away, frightened that she would be recognized. Thus, the twelve-O-clock striking and Cinderella’s run away can be interpreted as the female psyche’s defense mechanism. She is, once again, trying to hide herself and escape from the risk of exposing her true self. On her way home, Cinderella loses her glass slippers. A psychological explanation is that â€Å"a slipper or a shoe symbolizes the person’s attitude to the particular situation†.Here, Cinderella loses her attitude to the man’s principle (Animus) and retires into the unconscious, again suppressed. She failed the test of power, and is not able to encourage herself to fulfill her true desires. At this point, new characters appear in the story- the king’s men who go around the country to find the Princess. This represents a link that is important for the further movement of the story. After Cinderella left her slippers behind, the king’s men found it and brought it to the Prince. The Prince â€Å"proclaimed, by sound of trumpet, that he would marry her whose foot the slipper would just fit† (Perrault).He employed few men to find out the Princess. Thus, they began to try it on every young lady in the country and, eventually, find Cinderella. These men, who are employed by the Prince, may represent the part of Cinderella’s mind, which has an impact on her self-evaluation. She is trying to regain her strength. She concludes that she wants to raise her social status. This implies that she is taking a positive attitude towards the newly-found Animus in her psyche. She is trying to integrate with it. When the Prince’s proclamation is made, the stepsister â€Å"burst out laughing and be gan to banter her†.She tried to stop Cinderella from trying the glass slippers. This implies that the Shadow and the Anima (the female power) are still more dominant in the psyche. Cinderella does not try the slipper on outright. The woman’s principle in her discourages her from trying to change her attitude towards life. These are the defense mechanisms in her psyche. It symbolizes her doubts- whether she would be accepted in this new attitude; whether she would be hurt again. The men were ordered to let everyone try the glass slippers. Hence, Cinderella was obliged to try it.In a sense, she was taking her slippers back. The decision to try the slippers symbolizes the rise of the Animus. As it was mentioned before, a shoe (or slipper) represents the attitude towards life. Cinderella took her shoe back which means that she was again overtaken by the attitude of the Animus. Cinderella has to become conscious of her power first, to change her terrible circumstances. When she realizes her powers, the Shadow loses its dominance in her psyche and the Animus takes over the power. This was the final test of the power of the Animus and she succeeds.The moment Cinderella wears the shoes, she is transformed into a beautiful Princess. This symbolizes the moment of victory of the Animus. Our heroine has taken the attitude to the Animus principle. She has accepted the Animus in the unconscious and is accepted by the society, too. By transforming into a Princess, Cinderella intensifies her new life attitude. Also, the Prince and his men symbolize protection so that the Shadow does not once again dominate the psyche. The story ends with Cinderella’s union with the Prince. The Prince represents the Animus.Thus, finally, the Ego is united with the Animus to form the true self. The evil characters in the story are not mentioned again. This indicates the death of the negative power in the psyche. The female psyche is now completely developed and, therefore, t he process of individuation is complete.CONCLUSIONIn this project, I have tried to show how the theory of collective unconscious propounded by Carl. G. Jung is working in fairy tales, taking the examples of ‘Snow White and the Seven Dwarfs’ (Grimm) and ‘Cinderella’ (Perrault).I have tried to outline the various archetypes in both the stories. Though these stories have changed over time to adapt to the society, the archetypes have remained the same. I have done a psychological analysis on both ‘Snow White’ and ‘Cinderella’. With a look into its history, it is shown that these stories were independently created in different parts of the world. They are from different cultures, tribes or nations. Yet, there are a lot of similarities between these stories. Both stories are of the development of an immature female psyche.It is concerned with the psychological process of individuation. Through an archetypal interpretation of both these f airy tales, it is concluded that individuation was successfully achieved. Also, the fairy tales describe the importance of the Animus archetype in the woman’s psyche. Both our heroine’s, Snow White and Cinderella, in their respective stories are unable to understand what is useful from the conscious and had little idea of their own dark side, at the beginning of the story. The Ego in these female psyches is not aware of the existing, dominant Shadow.Then, as it develops, there are conflicts between the Ego and the Shadow. The Ego undergoes many stages in this stage as it gathers knowledge from the depths of the unconscious. In the end of both the stories, the Ego finds a way to escape from the clutches of the negative energy. Thus, it triumphs over the Shadow by integrating itself with the Animus. Thereby, both the heroines achieve individuation. In other words, the development of the female psyche is complete. From a psychological perspective we can say that both the heroines undergo similar emotions and personal experiences.Both are hated and tortured by their stepmothers; they start out without an Animus and lack an image of a loving mother. Both wish to be free from the clutches of the Shadow. Finally, through struggles, sufferings and conflicts, they find their Princes, thus, uniting with the Animus. The behavior and motives of the female psyche is also quite similar. Thus this psychological analysis clearly shows that there exists a similarity of archetypes that appear in these fairy tales which were created by independent cultures. This psychological analysis is not only applicable to fairy tales but also to the contemporary literature.Questions would arise as to what is its relevance in the present day literature and what effect does it have on children and adults. We can find the answer if we observe and compare the experience of children and adults engaging in fairy tales. As Walter Odajynk, in his article ‘The Archetypal Interpre tation of Fairy Tales: Bluebeard’, argues, through archetypal interpretation, the psyche is engaged. While reading a fairy tale or any serious literature, an adult, with his/her matured intellect, may either interpret it in relation to a critical theory, personal identification or, ideally, an archetypal interpretation.However, a child does not have the context for critical theory, or the developed Ego for complex identification. In other words, a child does not have a mature intellect. The fairy tale serves as a method of emotional and psychological instruction. A child would be able to recognize the difference between good and evil, positive and negative, masculine and feminine, which are certain concepts propagated in all the fairy tales, with the help of archetypes. Thus, for the child, a fairy tale is like an early education in archetypal structures.This education begins with simple representations that are depicted in cartoon form, such as Pokemon and many Disney films, and then extends to more complex fantasy genre, such as the wizard tales of ‘Harry Potter’ (J. K. Rowling), ‘Twilight’ (Stephanie Meyer), ‘Lord of the Rings’ (J. R. R. Tolkien), etc. These days, children are more familiar with the Disney Films and not with the Grimm Brothers and Charles Perrault. Disney has obviously taken the archetypes represented in the fairy tales. The various archetypes appear in the Disney films, Harry Potter, Lord of the Rings and many other modern fictions.Observing the plot of these fictions, we would find the common archetypes- the righteous warrior, the villain who must be overcome, the humble birth and the prophesied journey of the hero. Disney’s heroines are all pure, beautiful, innocent and sweet, whereas heroes are all noble, heroic and are on some quest or adventurous journey. In the Disney Fairy Tale Films, the fairy Godmother, like the one who gets Cinderella ready for the Ball, serves as the archetype of ‘Wise Old Woman/Man’. This archetype serves the purpose of being the mentor (helper). In ‘Lord of the Rings’, it is Gandalf who is like the archetype of ‘Wise Old Man’.In ‘Harry Potter’, it is Albus Dumbledore. Also, Hermione Granger (Harry Potter’s friend) is an Anima. In ‘Lord of the Rings’, we find Sam as Frodo’s Anima, though they are both males. Speaking of the Shadow archetypes, the famous villains nicely personify the Shadow. So, Lord Voldemort and the Deatheaters are the Shadow in ‘Harry Potter’. The villain is what the hero could become if he fails in his quest. This fact is repeated several times in the ‘Harry Potter’ series. Harry, who has equal powers as Voldemort, is invited many times to join him as a Deatheaters.Likewise, the evil Queen in Disney’s ‘Snow White’ is corrupted by the Shadow quality of envy, placing her in stark contrast to Snow White’s purity and beauty; while Cinderella’s wicked stepmother could be said to represent a contrast to Cinderella’s gentle kindness and ability to take joy in small things. Thus, we can conclude that even in modern fiction, the archetypes do work to express the collective unconscious. This project focused mainly on fairy tales, rather than modern fiction because, as Marie von Franz says, â€Å"fairy tales are the purest and simplest expression of collective unconscious psychic process.Therefore, their value for the scientific investigation of the unconscious exceeds that of all other materials. † Fairy tales allow the unconscious to be observed more specifically. The characters in fairy tales represent archetypes, not human being, and thus, the unconscious is more easily accessible. In other words, the unconscious elements become more conscious in fairy tales. In conclusion, we can say that the archetypal nature of fairy tales make them appealing to ch ildren and adults, and transcend cultural boundaries.The theory of collective unconscious is not limited to a certain culture, place or nation. It is valid in comparison of independently created stories of all times, be it ancient or modern. We must not miss to notice that in stories, the archetypes are always fragmented into individual characters, but in real life, each of us carries qualities of each archetype in us. If not, we would not be able to relate the characters and archetypes, and accept them. You have an Anima or Animus. Likewise, you have a Shadow and a wise part that knows the best answer. It is just that you must learn to listen to it.